Frank_Romero_Vintage_California_Modern_Lithograph_Poster_Old_Classic_Cars_Movie_01_ej

Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie

Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie

Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
RARE VINTAGE LITHOGRAPH EXHIBITION POSTER BY ESTEEMED CALIFORNIA PAINTER FRANK ROMERO. THIS WORK IS TITLED: URBAN ICONOGRAPHY, CIRCA 1998. COMPRISED OF A GROUP OF COLORFUL CLASSIC CARS LINED UP AT A DRIVE INN IN CALIFORNIA. HAND SIGNED BY FRANK ROMERO. DIMENSIONS: 29″H x 23″W. Frank Romero (Born 1941) is active/lives in California. Frank Romero is known for Mod naive urbanscape. Born: 1941 – Los Angeles, California. Known for: Mod naive urbanscape. Frank Romero was born and raised in Los Angeles. He studied art at Otis College of Art and Design and California State College (now California State University, Los Angeles). In 1973, Romero, Roberto de la Rocha, Gilbert Lujan and Carlos Almaráz formed an art collective called Los Four, whose collaborations brought Chicano street art to the attention of the mainstream art community of Los Angeles. The University of California at Irvine, presented an exhibition of the group in 1974, which subsequently was shown at the Los Angeles County Museum of Art and the Oakland Museum. Romero worked as a designer for Charles Eames and A&M Records, and was the design director of the community redevelopment agency when he designed the first section of the Broadway Sidewalk Project. Set between Third and Eighth streets on one of the downtown LA’s densest pedestrian traffic areas, the Broadway Sidewalk Project is a series of three murals that incorporate cultural images from many ethnic groups that shop on Broadway. In 1981, he curated the highly regarded exhibition The Murals of Aztlan at the Craft and Folk Art Museum. Although he is known foremost as a muralist, Romero is now primarily a studio artist. His work has been exhibited in many solo and group shows, including the national exhibitions Contemporary Hispanic Art in the U. Laguna Art Museum (Laguna Beach, CA). The Carnegie Art Museum (Oxnard, CA).
Frank Romero Vintage California Modern Lithograph Poster Old Classic Cars Movie
Pablo_Picasso_60_Years_of_Graphic_Works_Los_Angeles_County_Museum_Lithograph_01_nz

Pablo Picasso, 60 Years of Graphic Works Los Angeles County Museum, Lithograph

Pablo Picasso, 60 Years of Graphic Works Los Angeles County Museum, Lithograph

Pablo Picasso, 60 Years of Graphic Works Los Angeles County Museum, Lithograph
Original vintage artworks from RoGallery. Please see the listed item specifics above for the details and message us with any questions. Pablo Picasso, 60 Years of Graphic Works: Los Angeles County Museum, Lithograph. Artist: {vendor} {attribution} Title: {title} Year: {year} Medium: {medium_detail} Edition: {edition} (if applicable) Size: {size} Image Size: {image_size} Frame Size: {frame_size} Reference: {reference} (if applicable) Publisher: {publisher} (if applicable) Printer: {printer} (if applicable) {description} Original vintage artworks from RoGallery. Artist: Pablo Picasso Title: Pablo Picasso, 60 Years of Graphic Works: Los Angeles County Museum, Lithograph Year: 1966 Medium: Lithograph Edition: 2500 (if applicable) Size: 26 in. (66.04 cm x 50.8 cm) Image Size: Frame Size: 33.5 x 26.5 inches Reference: Figure 159, Page 346 in “Picasso in his Posters: Image and Work” Volume 1 by Luis Carlos Rodrigo, published by Arte Ediciones 1992. (if applicable) Publisher: County Museum of Art, Los Angeles (if applicable) Printer: Imprimerie Mourlot. Paris 1966 (if applicable). Designed by the artist himself, this Los Angeles County Museum of Art (LACMA) poster advertises for Pablo Picasso’s 1966 exhibition at the premier museum.
Pablo Picasso, 60 Years of Graphic Works Los Angeles County Museum, Lithograph
Richard_Florsheim_American_1916_1979_Refinery_1961_Signed_Lithograph_01_bpvh

Richard Florsheim (American 1916-1979) Refinery 1961 Signed Lithograph

Richard Florsheim (American 1916-1979) Refinery 1961 Signed Lithograph
Richard Florsheim (American 1916-1979) Refinery 1961 Signed Lithograph
Richard Florsheim (American 1916-1979) Refinery 1961 Signed Lithograph
Richard Florsheim (American 1916-1979) Refinery 1961 Signed Lithograph

Richard Florsheim (American 1916-1979) Refinery 1961 Signed Lithograph
Image: 13 3/4 by 9 3/4 inches. Page: 17 by 13 inches. Iacono: 129 A Catalogue Raisonne of the Graphic Work of Richard Florsheim by Iacono, Domenic J. New York: The Syracuse University Art Collection / The Richard A. Florsheim Art Fund, 1988. From AskArt: A twentieth-century American printmaker, painter, sculptor, educator and writer, Richard Florsheim first studied at the University of Chicago before going to New York to study at the Museum of Modern Art and at the Metropolitan Museum, under Aaron Bohrod. His education was completed in Paris at the Musee Nationale d’Art Moderne. Florsheim gained recognition in the late 1930’s when he first began exhibiting his art. Venues included the Salon des Refuses, Paris; the Pennsylvania Academy of Fine Arts; the Los Angeles County Museum and the San Francisco Museum of Art. Richard Florsheim was a full member of the American Graphic Artists, the Audubon Artists, the Artists Equity Association and the National Academy of Design. During his career he received the Art Institute of Chicago Award (1946), the Pennell Fund Award (1950) and the Library of Congress Award (1956).
Richard Florsheim (American 1916-1979) Refinery 1961 Signed Lithograph
ORG_CLAES_OLDENBURG_Rare_1971_Art_Technology_LITHOGRAPH_Poster_FREE_SHIPPING_01_pqlh

ORG. CLAES OLDENBURG Rare 1971 Art & Technology LITHOGRAPH Poster FREE SHIPPING

ORG. CLAES OLDENBURG Rare 1971 Art & Technology LITHOGRAPH Poster FREE SHIPPING
ORG. CLAES OLDENBURG Rare 1971 Art & Technology LITHOGRAPH Poster FREE SHIPPING
ORG. CLAES OLDENBURG Rare 1971 Art & Technology LITHOGRAPH Poster FREE SHIPPING
ORG. CLAES OLDENBURG Rare 1971 Art & Technology LITHOGRAPH Poster FREE SHIPPING
ORG. CLAES OLDENBURG Rare 1971 Art & Technology LITHOGRAPH Poster FREE SHIPPING

ORG. CLAES OLDENBURG Rare 1971 Art & Technology LITHOGRAPH Poster FREE SHIPPING
“In the late 1960’s, the Los Angeles County Museum of Art (LACMA) began its Art and Technology initiative, a program that paired contemporary artists with technologically focused institutions in order to create new works of art” per Harvard Art Museums. Subject is still relevant today. Oldenburg is one of the founders of Pop Art. The drawing on Arches paper measures 21 inches in width and 28.5 inches in height, making it a medium-sized work of art. Includes wire on reverse, ready-to-hang. The portrait orientation highlights the intricate details and vibrant colors that make this piece a must-have for any art collector or enthusiast. There is a tiny nick to glass upper right under the frame. Created in the 1970s, this print is an original. Printed by Colorcraft Lithographers, New York. The lithograph production technique showcases his artistic vision and creativity, making it a perfect addition to any modern or contemporary art collection.
ORG. CLAES OLDENBURG Rare 1971 Art & Technology LITHOGRAPH Poster FREE SHIPPING
Artemio_Rodriguez_Lithograph_Her_Sweet_Hand_Could_Lift_a_Demon_2005_Signed_01_uj

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Frame 21″x27″ slight wear to frame. Pop art, Street Art, Manga style. Artemio Rodríguez Mexican, b. 1972 was born in Tacámbaro, Michoacán, México in 1972. He studied printmaking under Juan Pasco, master printmaker at Taller Martin Pescador (Kingfisher Workshop) in Mexico City. At the age of 21, Rodríguez immigrated to Los Angeles and became a printmaker at Self Help Graphics. He also co-founded La Mano Press in 2002 in Los Angeles before relocating to Michoacán in 2008 as La Mano Gráfica, a gallery and printmaking studio. Rodríguez is known for his linocut prints as well as his murals, vehicles, and children’s books. Influenced by both European medieval woodcuts and Mexican cultural symbolism developed by artists like José Guadalupe Posada, Rodríguez’s style emphasizes simplicity, clarity, and narrative. His images come from contemporary icons like American cartoons and chicano culture and historical traditions like mythology, surrealism, zodiac signs, and Mexican costumbrismo. A poet at heart, Rodríguez uses the physicality of the printmaking process to write stories in images. His work has been exhibited internationally; is held in the collections of many public institutions including the Seattle Art Museum, Los Angeles County Museum of Art, Library of Congress, and Museo José Guadalupe Posada; and is published in the book American Dream. Rodríguez’s new works emphasize some of his best-loved figures – skeletons, devils, animals, children, and royalty of Michoacán – in acts of celebration, seduction, and play. He captures a multitude of experiences within one moment and one image. Entire scenes of a play, entire poems, unfold in stark black lines.
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
FLETCHER_MARTIN_1904_1979_Original_Limited_Edition_SIGNED_Lithograph_1950s_WPA_01_fgdb

FLETCHER MARTIN 1904-1979 Original Limited Edition SIGNED Lithograph 1950s WPA

FLETCHER MARTIN 1904-1979 Original Limited Edition SIGNED Lithograph 1950s WPA
FLETCHER MARTIN 1904-1979 Original Limited Edition SIGNED Lithograph 1950s WPA
FLETCHER MARTIN 1904-1979 Original Limited Edition SIGNED Lithograph 1950s WPA

FLETCHER MARTIN 1904-1979 Original Limited Edition SIGNED Lithograph 1950s WPA
FLETCHER MARTIN (American, 1904 – 1979). Title: “Spring Fantasia” – 1951. Medium: Original Lithograph on colored laid paper. Signature: Signed in the plate. Edition: Limited Edition of 2000, not individually numbered. Size: About 12 x 9 inches. Printer: Artist Equity Funds, Inc. Publisher: Artist Equity Association. Notes: Part of the Improvisations Portfolio (for the Spring Fantasia Masquerade Ball in New York) published by the Artist Equity Association. The portfolio consisted of advertisements for local New York City businesses where each advertisement was an original lithograph: Each page was designed by the artist directly on the litho plate, thus making this a collection of original lithographs. This Original Lithograph was produced for an annual art event in the 1950’s for local businesses and major corporations largely based in New York. Historically important for corporate archivists, these are extremely rare to locate and are virtually unseen individually. The original lithographs were produced in only one edition, and included just 2,000. These lithographs are perhaps the most unique, rare, important advertising collectibles that exist for businesses and corporations. Fletcher Martin (April 19, 1904 – May 30, 1979), was an American painter, illustrator, muralist and educator. He is best known for his images of military life during World War II and his sometimes brutal images of boxing and other sports. Martin worked as a printer in Los Angeles in the late 1920s, and as an assistant to Mexican muralist David Alfaro Siqueiros in the early 1930s. He taught at local art schools such as Otis Art Institute. During his career he was a visiting instructor or artist-in-residence at the University of Florida, State University of Iowa, the University of Minnesota, San Antonio Art Institute, and Washington State University. He received prizes from the Los Angeles County Museum of Art in 1935 (for Rural Family) and 1939 (for A Lad from the Fleet); the 1947 Lippincott Prize from the Pennsylvania Academy of the Fine Arts (for Dancer Dressing); and the 1949 Altman Prize from the National Academy of Design (for Cherry Twice). He was elected an associate of the National Academy of Design in 1969, and a full academician in 1974.
FLETCHER MARTIN 1904-1979 Original Limited Edition SIGNED Lithograph 1950s WPA
RARE_Vintage_David_Hockney_Modern_LACMA_Exhibition_Lithograph_Poster_1988_01_gq

RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988

RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988

RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
This is an exceptional and RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, from the Retrospective of David Hockney’s repertoire at the Los Angeles County Museum of Art in 1988. This work reads: DAVID HOCKNEY… Los Angeles County Museum of Art February 4 – April 24, 1988… ” Small fine print at the lower edge of this print reads: “David Hockney (born England 1937, active in the United States), A Walk around the Hotel Courtyard Acatlan (1985), oil on two canvases, 72 x 240 in. Photograph by Stephen Sloman. Design by Sandy Bell. David Hockney: A Retrospective was organized by the Los Angeles County Museum of Art and is supported by an indemnity from the Federal Council on the Arts and the Humanities. This exhibition is made possible by AT&T. Approximately 18 1/4 x 40 inches including frame. Actual artwork is approximately 18 x 39 1/2 inches. Very good condition for age, with moderate edge wear and paint loss to the original period frame please see photos. Acquired in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! DAVID HOCKNEY- 1988 “LACMA: A Walk Around The Hotel Courtyard, Acatlan”. This 1988 LACMA exhibition was remembered for the wildly successful opening party on Feb. 3, 1988, when over 3000 people showed up. Throngs of hundreds waited outside and down the street. Many were high dollar LACMA contributors and still getting in wasn’t easy. David Hockney painted “A Walk Around the Hotel Courtyard, Acatlán”. In 1985 after discovering a hotel courtyard in Mexico, when car trouble forced him to stop on the way while driving to Mexico City. The painting is one of his more hotly colored works, being mostly red, with green and yellow, and is done in reverse perspective. In the painting the detail of the columns is gone, the painter has vanished, but the viewer is presented with a space where distance is abolished. There is cubism, “scientific” objectivity is gone, and plurality of space is emphasized. Reverse perspective is used to produce an all-seeing experience leading to a visionary feeling. Like a frame around paintings which decorate an altar, it seems to amalgamate real space with the world of the miracle. The original oil on two canvases or a “diptych” measure 183×610 centimeters overall. It is owned by the Benesse Corporation and is currently on display at Benesse House and Art Site, a contemporary art museum and hotel at the art village of Noashima, Japan. Bradford College of Art, Royal College of Art, London. Known for his photo collages and paintings of Los Angeles swimming pools, David Hockney is considered one of the most influential British artists of the 20th century. In fact, in a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time. For nearly 60 years, David Hockney (British, born 1937) has pursued a singular career with a love for painting and its intrinsic challenges. This major retrospective-the exhibition’s only North American venue-honors the artist in his 80th year by presenting his most iconic works and key moments of his career from 1960 to the present. Working in a wide range of media with equal measures of wit and intelligence, Hockney has examined, probed, and questioned how to capture the perceived world of movement, space, and time in two dimensions. The exhibition offers a grand overview of the artist’s achievements across all media, including painting, drawing, photography, and video. From his early experiments with modernist abstraction and mid-career experiments with illusion and realism, to his most recent, jewel-toned landscapes, Hockney has consistently explored the nature of perception and representation with both intellectual rigor and sheer delight in the act of looking. David Hockney British, b. 1937 has produced some of the most vividly recognizable and influential works of the twentieth century. Hockney gained notoriety in his mid-twenties, after receiving the Gold Medal from London’s Royal College of Art, and he quickly became one of the defining figures of the British Pop Art movement. In the late 1960s Hockney relocated to California and established himself as a prolific figurative and landscape artist. He is perhaps best recognized for the works he produced there: brightly colored, large-scale evocative images of the Southern California lifestyle, and domestic, intimate portraits of his friends, family, and lovers. Hockney’s works are notable for their quietness of subject, flatness of space, and subtle reduction of form. Throughout his career he has worked in a wide variety of media, including painting, drawing, collage, photography, and printmaking, often utilizing contemporary technologies, including fax machines, laser photocopiers, and other 20th- and 21st-century digital instruments. Hockney has received a vast number of awards and honors, including the First Annual Award of Achievement from the Archives of American Art, Los Angeles; membership to the Board of Trustees of the American Associates of the Royal Academy Trust, New York; Distinguished Honoree of the National Arts Association, Los Angeles; the Lorenzo de Medici Lifetime Career Award of the Florence Biennale; and nine honorary degrees from institutions worldwide. In 1997, he was made a Companion of Honour from the British and Commonwealth Order for his outstanding achievement in the arts. David Hockney’s work can be found in numerous distinguished public collections around the world, including the Museum of Fine Arts, Boston; the National Gallery of Australia, Canberra; the Art Institute of Chicago; the National Portrait Gallery, London; The Tate Gallery, London; the J. Paul Getty Museum, Los Angeles; the Los Angeles County Museum of Art; the Walker Art Center, Minneapolis; the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; Centre Georges Pompidou, Paris; the Philadelphia Museum of Art; the Museum of Contemporary Art, Tokyo; the Museum of Modern Art, Vienna; the Hirshhorn Museum and Sculpture Garden, Washington, D. And the Smithsonian American Art Museum, Washington, D. He currently lives and works in Normandy, France.
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
Man_Ray_Lithograph_Los_Angeles_County_Museum_Of_Art_1966_First_Edition_1978_01_delt

Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978

Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978

Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978
Artwork Title: Los Angeles County Museum Of Art 1966, as shown in photo. Medium: Lithograph, after the original poster. Edition: Limited, by publishing, of 500. Published: Posters by Painters, 1978, First Edition. Paper: Heavy art stock. 16 H x 11 1/2 W inches. Au Verso: Unrelated printing on reverse from the publication, as issued. Will frame up well. A size may be approximate. 1 inch = 2.54 cm. An item price is considered to be a fair value. Our listing is described to the best of our knowledge. An original artwork is import duty free. A definition, term, or description may vary in the trade or as used by us. As listing condition is as graded by us using standard methods, and accepting normal signs of aging. We will provide a condition report on request. A photograph image is usually taken from the actual item, or a part of, and may vary in color or appearance. A frame border, if shown around a photograph image, is not a part of an item unless stated. An artwork is not framed or matted, unless stated. A matted or framed artwork condition or state is only as visible. A reference or documented artwork may refer to only the printing or image or may require additional information. A limited edition size may be shown on the artwork, on its certification, or as otherwise known to us. In some cases, the size may be estimated. A signature may require more detail or be on or after publishing. We are not professional appraisers nor authenticators. An artwork may be without provenance. A certificate of the publisher or others, if available, is as received by us and may be a copy in some cases. Our certificate, if provided, substantially includes our listing Description, and may contain other information as known to us. Our certificate is provided if included in the listing. Our certificate may also be available on request. We reserve the right to amend or correct our listing information at any time. We have an extensive collection of artworks and objets d’ art. We will do our best to answer your questions, and usually with 24 hours. We will also try to locate an artwork for you. The item “Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978″ is in sale since Monday, February 22, 2021. This item is in the category “Art\Fine Art Prints”. The seller is “artonfort” and is located in Victoria, BC. This item can be shipped worldwide.
  • Medium: offset lithograph
  • Print Type: offset lithograph

Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978
1971_Art_Technology_Signed_Lithograph_274_300_Los_Angeles_County_Museum_Of_Art_01_xtwa

1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art

1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art
1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art
1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art
1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art
1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art
1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art
1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art

1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art
1971 ART & TECHNOLOGY HAND SIGNED LITHOGRAPH 274/300, LOS ANGELES COUNTY MUSEUM OF ART. MEASURES 23″ X 31″. GOOD CONDITION, EXCEPT FOR SMALL LEFT MARGIN TEAR AND LIGH AGE RELATED TANNING. The item “1971 ART & TECHNOLOGY SIGNED LITHOGRAPH 274/300, LOS ANGELES COUNTY MUSEUM OF ART” is in sale since Monday, July 13, 2020. This item is in the category “Art\Art Prints”. The seller is “ralphieboy22″ and is located in Los Angeles, California. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Costa rica, Dominican republic, Panama, Trinidad and tobago, Guatemala, El salvador, Honduras, Jamaica, Antigua and barbuda, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Saint lucia, Turks and caicos islands, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay, Russian federation.
  • Size: Medium (up to 36in.)
  • Listed By: Artist
  • Medium: Lithograph
  • Date of Creation: 1971
  • Year: 1971
  • Features: Signed
  • Width (Inches): 23
  • Subject: ART & TECHNOLOGY
  • Originality: Limited Edition Print
  • Height (Inches): 31″

1971 Art & Technology Signed Lithograph 274/300, Los Angeles County Museum Of Art
Man_Ray_Lithograph_Los_Angeles_County_Museum_Of_Art_1966_First_Edition_1978_01_umyr

Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978

Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978

Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978
Artwork Title: Los Angeles County Museum Of Art 1966, as shown in photo. Medium: Lithograph, after the original poster. Edition: Limited, by publishing, of 500. Published: Posters by Painters, 1978, First Edition. Paper: Heavy art stock. 16 H x 11 1/2 W inches. Au Verso: Unrelated printing on reverse from the publication, as issued. Will frame up well. Our prices are in Canadian Dollars. A size may be approximate. 1 inch = 2.54 cm. An item price is considered to be a fair value. Our listing is described to the best of our knowledge. A definition, term, or description may vary in the trade or as used by us. A condition is as graded by us using standard methods, and accepting normal signs of aging. A photograph image is usually taken from the actual item, or a part of, and may vary in color or appearance. A frame border, if shown around a photograph image, is not a part of an item unless stated. An artwork is not framed or matted, unless stated. A matted or framed artwork condition or state is only as visible. A reference or documented artwork may refer to only the printing or image or may require additional information. An original artwork is import duty free. We are not professional appraisers nor authenticators. An artwork may be without provenance. A certificate of the publisher or others, if available, is as received by us and may be a copy in some cases. Our certificate, if provided, substantially includes our listing Description, and may contain other information as known to us. Our certificate is provided if included in the listing. Our certificate may also be available on request. We reserve the right to amend or correct our listing information at any time. We have an extensive collection of artworks and objets d’ art. We will do our best to answer your questions, and usually with 24 hours. We will also try to locate an artwork for you. The item “Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978″ is in sale since Thursday, June 18, 2020. This item is in the category “Art\Fine Art Prints”. The seller is “artonfort” and is located in Victoria, BC. This item can be shipped to Canada, United States.
  • Print Type: offset lithograph

Man Ray Lithograph Los Angeles County Museum Of Art 1966 First Edition 1978