This is a 1962 serigraph print on paper by Ginger Osgood edition of 33. The print is in its original mid-century glass front frame with gilt trim and measures 15″ x 12″. The back is undisturbed from it’s original mid-century framing but condition of print looks excellent. There are 2 additional prints from Ginger and 1 additional print of the same era from her husband, R. Freeman Worthley, available in my shop. The set of 4 prints would make a stunning gallery wall! Ginger Osgood worked in many media, but she is best known for her work in serigraphy, a refinement of the commercial silk-screen printing process, in which all the work is done completely by hand. Osgood and her husband, R. Freeman Worthley, are considered to be not only pioneers in the advancement of this process, but masters of the medium. Osgood also created collagraphs, original prints pulled from plates on whose surface is a collage of textured materials, resulting in an embossed image. Her works in these media are widely thought of as among the best examples of serigraphs and collagraphs in existence. Beyond their testament to Osgood’s technical expertise, they glow with her intelligence, enthusiasm, and joy in her chosen form of self-expression. Born in Yokohama, Japan in 1918, Ginger Osgood studied at the Art Students League in New York, and in Los Angeles at UCLA, the Jepson Art Institute, and Otis Art Institute (then called the Los Angeles County Art Institute), where she earned a Master of Fine Arts degree in 1958.