Albert_Winslow_Barker_Litho_Outlying_Farm_Ed_Unknown_54_100_51_01_xwf

Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51

Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51
Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51
Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51
Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51
Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51
Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51

Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51
Our Inventory# FAIR 7c – 51. Good used condition as shown. We are liquidating the collection from an iconic 50+ year old art / print gallery in NH. Please view our other auctions and similar pieces from the same artist. Albert Winslow Barker, printmaker, draughtsman, and educator, was born on 1 June 1874 in Chicago, Illinois to Albert and Julia Winslow Barker. His early education was provided through home study and his first formal education was at the Pennsylvania Academy of Fine Arts from 1890 to 1895. Barker was colorblind so he turned to charcoal drawing which offered its own rich range of color. In 1993, the Academy sent two of his charcoal drawings to the World’s Columbian Exposition in Chicago. Barker was an instructor at the School of Industrial Art in Philadelphia between 1903 and 1913. Having summers free, he traveled to Greece and Italy in the summer of 1910 and his passion for classical antiquity was aroused. In 1911, he enrolled at Haverford College where he earned his A. Degree with honors after six years. He furthered his studies at the University of Pennsylvania where he earned a Ph. In Greek in 1921. During these years of study, he taught Greek at Haverford College, was an assistant professor of fine arts at Swarthmore College, and he also taught at Friends’ Central School in Philadelphia. After earning his degree in 1921, he accepted the position of director of art education for the public schools of Wilmington, Delaware where he worked until 1929. Barker discovered lithography in 1926 and was hopeful that he could translate the rich tones of charcoal to a limestone. He studied lithography with Bolton Brown during the summer of 1927 at the Summer School of Lithography and Etching in the Catskill region of New York. Lithography became Barker’s medium of choice and he produced over 200 hundred works. His subject matter was often the rural landscapes in southeastern Pennsylvania. Barker’s work is represented in the collections of the Addison Gallery of American Art, Andover; Brandywine River Museum, Chadds Ford, Pennsylvania; Museum of Fine Arts, Boston; Corcoran Gallery, Washington, D. Fogg Art Museum, Harvard University, Cambridge; Library of Congress, Washington, D. Los Angeles County Museum; New York Public Library; Newark Public Library, New Jersey; and the Uffizi Gallery, Florence, Italy.
Albert Winslow Barker Litho Outlying Farm Ed Unknown 54/100 51
PHILIP_LORCA_DICORCIA_Original_Photograph_from_A_Storybook_Life_8x10_01_xni

PHILIP-LORCA DICORCIA Original Photograph from A Storybook Life 8×10

PHILIP-LORCA DICORCIA Original Photograph from A Storybook Life 8x10
PHILIP-LORCA DICORCIA Original Photograph from A Storybook Life 8x10
PHILIP-LORCA DICORCIA Original Photograph from A Storybook Life 8x10
PHILIP-LORCA DICORCIA Original Photograph from A Storybook Life 8x10
PHILIP-LORCA DICORCIA Original Photograph from A Storybook Life 8x10

PHILIP-LORCA DICORCIA Original Photograph from A Storybook Life 8x10
From A Storybook Life. 8 x 10 inch. Flush mounted to board. Born in 1951 in Hartford, Connecticut, Philip-Lorca diCorcia is a world-renowned contemporary photographer. The artist’s first museum solo exhibition was organized by The Museum of Modern Art, New York, in 1993. Since 2007, his work has been represented by David Zwirner, where he has had four solo exhibitions at the gallery’s New York location. Venues that have hosted significant solo exhibitions of diCorcia’s work include Museo Nacional Centro de Arte Reina Sofía, Madrid (1997); Sprengel Museum, Hannover, Germany (2000); Whitechapel Art Gallery, London (2003); Foam Fotografiemuseum, Amsterdam (2006); Institute of Contemporary Art, Boston (2007); and Los Angeles County Museum of Art (2008). Works by diCorcia are held in public collections internationally, including the Centre Georges Pompidou, Paris; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Modern Art Museum of Fort Worth, Texas; Museo Nacional Centro de Arte Reina Sofía, Madrid; The Museum of Contemporary Art, Los Angeles; Museum De Pont, Tilburg, The Netherlands; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; The National Museum of Modern Art, Tokyo; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Tate, London; Victoria and Albert Museum, London; and the Whitney Museum of American Art, New York. He lives and works in New York, and is on the faculty at the Yale School of Art. [text adapted from David Zwirner Gallery bio]. Magazine described Dangin as “the world’s most sought-after photo retoucher” and he was featured in a laudatory. This photograph was in the company’s inventory. An unsigned and unmarked photograph with white borders (8 x 10 including borders) flush-mounted to board. Image pristine, but slight depressions on top margin from the framing. No markings but clearly a printer’s proof.
PHILIP-LORCA DICORCIA Original Photograph from A Storybook Life 8x10