Artemio_Rodriguez_Lithograph_Her_Sweet_Hand_Could_Lift_a_Demon_2005_Signed_01_mq

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Frame 21″x27″ slight wear to frame. Pop art, Street Art, Manga style. Artemio Rodríguez Mexican, b. 1972 was born in Tacámbaro, Michoacán, México in 1972. He studied printmaking under Juan Pasco, master printmaker at Taller Martin Pescador (Kingfisher Workshop) in Mexico City. At the age of 21, Rodríguez immigrated to Los Angeles and became a printmaker at Self Help Graphics. He also co-founded La Mano Press in 2002 in Los Angeles before relocating to Michoacán in 2008 as La Mano Gráfica, a gallery and printmaking studio. Rodríguez is known for his linocut prints as well as his murals, vehicles, and children’s books. Influenced by both European medieval woodcuts and Mexican cultural symbolism developed by artists like José Guadalupe Posada, Rodríguez’s style emphasizes simplicity, clarity, and narrative. His images come from contemporary icons like American cartoons and chicano culture and historical traditions like mythology, surrealism, zodiac signs, and Mexican costumbrismo. A poet at heart, Rodríguez uses the physicality of the printmaking process to write stories in images. His work has been exhibited internationally; is held in the collections of many public institutions including the Seattle Art Museum, Los Angeles County Museum of Art, Library of Congress, and Museo José Guadalupe Posada; and is published in the book American Dream. Rodríguez’s new works emphasize some of his best-loved figures – skeletons, devils, animals, children, and royalty of Michoacán – in acts of celebration, seduction, and play. He captures a multitude of experiences within one moment and one image. Entire scenes of a play, entire poems, unfold in stark black lines.
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Chris_Staley_Studio_Pottery_Bowl_Hand_Thrown_Beautiful_Glaze_Signed_01_hn

Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed

Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed
Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed
Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed
Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed
Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed
Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed
Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed

Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed
Stunning large bowl with a wide opening, thrown and hand in irregular shape and partly mottled green, crackled glaze. The edge has a fleabites, please refer to the photos, otherwise very good condition. Signed on the bottom. Chris Staley one of the foremost contemporary American potters, Head of Penn State Ceramics program, recipient of two NEA visual artist fellowships, His works are included in major collections including the Los Angeles County Museum of Art, the Smithsonian National Museum, and the Victoria & Albert Museum in London. It is signed on the bottom. It does have one small rim chip, and crazing (see pictures). The bowl is approximately. 11.5″ x 11.5″ x 3.5. Chris Staley is known as a potter who makes functional work that is wheel-thrown or hand-built or built using a combination of methods. Firing techniques vary but are usually high fire (2,350? Fahrenheit). Staley’s work emphasizes the production of pots and the human interaction with them. He incorporates a variety of vessel forms with conceptual surface imagery and techniques. Glazes enhance the sculptural perception of his pots while graphic techniques applied by brush, transfers or clay elements which enhance conceptual content. Types of clay bodies and glazes vary depending on the intended pot. In addition to being a potter, Staley is a dedicated teacher, researcher, writer and advocate for the ceramic arts. American Museum of Ceramic Art, Pomona, California. Archie Bray Foundation for the Ceramic Arts, Helena, Montana. Arizona State University, Art Museum, Tempe, Arizona. European Ceramic Work Centre, Oisterwijk, Netherlands. Fule International Ceramic Art Museum, Fuping, China. Johnson County Community College, Overland Park, Kansas. Jule Collins Smith Museum of Fine Arts, Auburn University, Auburn, Alabama. Lannan Foundation, Santa Fe, New Mexico. Los Angeles County Museum of Art, Los Angeles, California. The Mint Museum, Charlotte, North Carolina. The Museum of Fine Arts, Houston, Texas. Nelson-Atkins Museum of Art, Kansas City, Missouri. Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah. Palmer Museum of Art, University Park, Pennsylvania. Smithsonian American Art Museum, Renwick Gallery, Washington, DC. Victoria and Albert Museum, London, England. Wichita Art Association, Wichita, Kansas.
Chris Staley Studio Pottery Bowl Hand Thrown Beautiful Glaze, Signed
Artemio_Rodriguez_Lithograph_Her_Sweet_Hand_Could_Lift_a_Demon_2005_Signed_01_uj

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed

Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
Frame 21″x27″ slight wear to frame. Pop art, Street Art, Manga style. Artemio Rodríguez Mexican, b. 1972 was born in Tacámbaro, Michoacán, México in 1972. He studied printmaking under Juan Pasco, master printmaker at Taller Martin Pescador (Kingfisher Workshop) in Mexico City. At the age of 21, Rodríguez immigrated to Los Angeles and became a printmaker at Self Help Graphics. He also co-founded La Mano Press in 2002 in Los Angeles before relocating to Michoacán in 2008 as La Mano Gráfica, a gallery and printmaking studio. Rodríguez is known for his linocut prints as well as his murals, vehicles, and children’s books. Influenced by both European medieval woodcuts and Mexican cultural symbolism developed by artists like José Guadalupe Posada, Rodríguez’s style emphasizes simplicity, clarity, and narrative. His images come from contemporary icons like American cartoons and chicano culture and historical traditions like mythology, surrealism, zodiac signs, and Mexican costumbrismo. A poet at heart, Rodríguez uses the physicality of the printmaking process to write stories in images. His work has been exhibited internationally; is held in the collections of many public institutions including the Seattle Art Museum, Los Angeles County Museum of Art, Library of Congress, and Museo José Guadalupe Posada; and is published in the book American Dream. Rodríguez’s new works emphasize some of his best-loved figures – skeletons, devils, animals, children, and royalty of Michoacán – in acts of celebration, seduction, and play. He captures a multitude of experiences within one moment and one image. Entire scenes of a play, entire poems, unfold in stark black lines.
Artemio Rodriguez Lithograph Her Sweet Hand Could Lift a Demon 2005, Signed
ELEANOR_ANTIN_Rare_HAND_SIGNED_Los_Angeles_County_Museum_FEMINISM_Performance_01_yrfg

ELEANOR ANTIN Rare HAND SIGNED Los Angeles County Museum FEMINISM Performance

ELEANOR ANTIN Rare HAND SIGNED Los Angeles County Museum FEMINISM Performance
ELEANOR ANTIN Rare HAND SIGNED Los Angeles County Museum FEMINISM Performance

ELEANOR ANTIN Rare HAND SIGNED Los Angeles County Museum FEMINISM Performance
Artist: ELEANOR ANTIN American, b. Title: Los Angeles County Museum of Art Exhibition 1999. About the Artist: Eleanor Antin has created a body of work that explores history, contemporary culture, and identity from a feminist perspective. This item is in the category “Art\Other Art”. The seller is “desertangel-usa” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Republic of Croatia, Malaysia, Brazil, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam.
  • Unit of Sale: Single-Piece Work
  • Artist: ELEANOR ANTIN
  • Size: Medium (up to 36in.)
  • Signed: Yes
  • Color: Multi-Color
  • Material: Paper
  • Item Length: 6.5
  • Region of Origin: Los Angeles, California
  • Subject: Contemporary Art
  • Personalize: No
  • Listed By: Dealer or Reseller
  • Type: Hand-SIGNED Exhibition Catalogue
  • Year of Production: 1999
  • Original/Licensed Reproduction: Original
  • Item Height: 9.5
  • Features: 1st Edition, Limited Edition, Signed
  • Production Technique: Offset
  • Country/Region of Manufacture: United States
  • Item Width: 1

ELEANOR ANTIN Rare HAND SIGNED Los Angeles County Museum FEMINISM Performance
Lacma_Los_Angeles_County_Museum_Of_Art_2001_Decorator_Bowl_Floral_Flowers_Hand_01_lmx

Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand

Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand

Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand
LACMA “FLOWERS” 3 QUART ROUND BOWL. We are offering a hard to find round bowl in the “Flowers” pattern by LACMA. The made in China bowl measures approximately 10″ in top diameter by 4.5″ deep and weighs approximately 4.2 lbs. The bowl has handpainted flowers on the inside & outside with a beige background. The bowl holds 3 quarts of liquid. The bowl is in excellent condition- no damage noted. The bowl is NOT safe for food use-display only. Great addition to your set! We double box all fragile items to help withstand the stress of transport. We appreciate a five star feedback for the five star product and service we strive to deliver. We leave feedback after feedback has been left for us by the purchaser. The item “LACMA LOS ANGELES COUNTY MUSEUM OF ART 2001 DECORATOR BOWL FLORAL FLOWERS HAND” is in sale since Monday, May 30, 2016. This item is in the category “Collectibles\Kitchen & Home\Dinnerware & Serveware\Bowls”. The seller is “winstonpatches” and is located in Minneapolis, Minnesota. This item can be shipped worldwide.
  • Country of Manufacture: China

Lacma Los Angeles County Museum Of Art 2001 Decorator Bowl Floral Flowers Hand