RARE_Historic_Vintage_Martin_Luther_King_Day_Poster_Los_Angeles_BOB_FITCH_01_yeq

RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH

RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH

RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
This is a significant and RARE Historic Vintage Martin Luther King Jr. Day Poster, created in the early 1980’s to honor the recognition of Martin Luther King Jr. Day as a holiday in the State of California. Governor Jerry Brown signed this holiday into State Law in California on September 3rd, 1981. This piece was produced by the Los Angeles County Schools Board of Education, utilizing an original photograph of Dr. King by acclaimed American Civil Rights photographer and activist, Bob Fitch 1939 – 2016. King is represented in a stoic and contemplative stance, with several small children of various racial ethnicities and cultural backgrounds in his arms. This poster reads: Martin Luther King, Jr. The California legislature has designated January 15, birthdate of Dr. Martin Luther King, Jr. As an official State holiday… I have the audacity to believe that peoples everywhere can have three meals a day for their bodies, education and culture for their minds, and dignity, equality, and freedom for their spirits. ” Additionally, this piece is typographically signed: “Bob Fitch” at the lower right edge and reads: “Office of the Los Angeles County Superintendent of Schools, ” and bears a small seal which reads: “Los Angeles County Schools Board of Education. Approximately 21 1/2 x 27 1/2 inches including frame. Actual artwork is approximately 18 x 24 inches. Very good condition for age, with some light creasing and speckles of soiling under the glass, and mild scratches and edge wear to the vintage wooden frame. This historic poster is exceedingly scarce, as I cannot find another example anywhere, after scouring the Internet extensively. This piece would be an important addition to any museum archival collection, American Civil Rights memorabilia collection, or a collector of Bob Fitch’s impressive photographic work. Acquired in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! (January 15, 1929-April 4, 1968) was born Michael Luther King, Jr. But later had his name changed to Martin. His grandfather began the family’s long tenure as pastors of the Ebenezer Baptist Church in Atlanta, serving from 1914 to 1931; his father has served from then until the present, and from 1960 until his death Martin Luther acted as co-pastor. Martin Luther attended segregated public schools in Georgia, graduating from high school at the age of fifteen; he received the B. Degree in 1948 from Morehouse College, a distinguished Negro institution of Atlanta from which both his father and grandfather had graduated. After three years of theological study at Crozer Theological Seminary in Pennsylvania where he was elected president of a predominantly white senior class, he was awarded the B. With a fellowship won at Crozer, he enrolled in graduate studies at Boston University, completing his residence for the doctorate in 1953 and receiving the degree in 1955. In Boston he met and married Coretta Scott, a young woman of uncommon intellectual and artistic attainments. Two sons and two daughters were born into the family. In 1954, Martin Luther King became pastor of the Dexter Avenue Baptist Church in Montgomery, Alabama. Always a strong worker for civil rights for members of his race, King was, by this time, a member of the executive committee of the National Association for the Advancement of Colored People, the leading organization of its kind in the nation. He was ready, then, early in December, 1955, to accept the leadership of the first great Negro nonviolent demonstration of contemporary times in the United States, the bus boycott described by Gunnar Jahn in his presentation speech in honor of the laureate. The boycott lasted 382 days. On December 21, 1956, after the Supreme Court of the United States had declared unconstitutional the laws requiring segregation on buses, Negroes and whites rode the buses as equals. During these days of boycott, King was arrested, his home was bombed, he was subjected to personal abuse, but at the same time he emerged as a Negro leader of the first rank. In 1957 he was elected president of the Southern Christian Leadership Conference, an organization formed to provide new leadership for the now burgeoning civil rights movement. The ideals for this organization he took from Christianity; its operational techniques from Gandhi. In the eleven-year period between 1957 and 1968, King traveled over six million miles and spoke over twenty-five hundred times, appearing wherever there was injustice, protest, and action; and meanwhile he wrote five books as well as numerous articles. In these years, he led a massive protest in Birmingham, Alabama, that caught the attention of the entire world, providing what he called a coalition of conscience. And inspiring his “Letter from a Birmingham Jail”, a manifesto of the Negro revolution; he planned the drives in Alabama for the registration of Negroes as voters; he directed the peaceful march on Washington, D. Of 250,000 people to whom he delivered his address, “l Have a Dream”, he conferred with President John F. Kennedy and campaigned for President Lyndon B. Johnson; he was arrested upwards of twenty times and assaulted at least four times; he was awarded five honorary degrees; was named Man of the Year by Time magazine in 1963; and became not only the symbolic leader of American blacks but also a world figure. At the age of thirty-five, Martin Luther King, Jr. Was the youngest man to have received the Nobel Peace Prize. On the evening of April 4, 1968, while standing on the balcony of his motel room in Memphis, Tennessee, where he was to lead a protest march in sympathy with striking garbage workers of that city, he was assassinated. Robert De Witt Fitch. Robert De Witt Fitch was born on July 20, 1939, in Los Angeles. His parents were Robert Fitch and Marion Weeks De Witt. His father was a minister with the United Church of Christ. And professor of Christian ethics. Fitch went to high school in Berkeley. In 1961, Fitch earned a B. At Lewis & Clark College. Fitch later earned both a B. And a Master of Divinity. At the Pacific School of Religion. His father was dean. Of the Pacific School of Religion. In 1965, Fitch was ordained. By the United Church of Christ. Early in his career, Fitch served as an intern at Glide Memorial United Methodist Church. There he worked with groups including street gangs, the homeless, hippies and LGBT. Fitch was later a labor organizer. And a draft resistance. Fitch worked at the California. Department of Housing and Community Development. And at the Resource Center for Nonviolence. Fitch died on April 29, 2016, in Watsonville, California. He was aged 76 and died from complications of Parkinson’s disease. An archive of Fitch’s photos is held at Stanford University Libraries. The archive is described as containing over 200,000 images, primarily black and white photographs and negatives, spanning the period from 1965 to the present. From Watsonville, California, the activist photographer Bob Fitch was best known for his work that captured iconic images of major figures of movements for civil rights, peace and social justice, such as Dr. Bob Fitch has written: My life has been immeasurably enriched by the people whose lives I have been privileged to document, especially the workers and leaders of this nation’s non-violent campaigns for peace & justice. Bob Fitch: Leading Social Movement Photojournalist. Bob Fitch was a leading social movement photojournalist. His photographs were used to promote civil rights, labor rights, and war resistance movements. Bob Fitch devoted his life to community organizing for multiracial democracy after reading James Baldwin’s The Fire Next Time. Bob Fitch worked and lived at the Resource Center for Nonviolence from 1999 to 2006, and lived in Watsonville from 2006 until his death in 2016. In 1965 Fitch was invited by Hosea Williams to be a staff photographer for the Southern Christian Leadership Conference (SCLC) during the civil rights movement. “I was told, Bob, we can’t send African-American journalists and photographers into the field’cause they’ll get beat up and killed,'” Fitch recalled in an interview; Every week you’ll come back with a news story in print and photos, and you’ll send them to the major Black print media around the nation. Fitch photographed voter registration, voting, and recruitment and training for African-American political candidates during the first election following the passage of the Voting Rights Act in 1965. He documented everyday lives of African-Americans, and marches, demonstrations, meetings during SCLC’s organizing efforts in Chicago, People-to-People tours in Alabama, the Meredith Mississippi March Against Fear, and the Citizenship Education Program in Alabama by Septima Clark and Dorothy Cotton. Clayborne Carson, Stanford University movement historian, recalled that Fitch was so trusted even in unguarded moments that he was the only white person present at an emotional meeting among Dr. King, Stokely Carmichael and other civil rights figures in Greenwood, Miss. In 1966, the night before Mr. Carmichael recast the movement by invoking the slogan Black Power. Summoned to Atlanta in 1968 by Dr. King’s widow, Coretta Scott King, to cover her husband’s funeral, Mr. Fitch debated whether to photograph the open coffin. It was a tough decision to take that photo. It felt like blasphemy to put a camera in his face. But then I thought,’The world needs to see this horrible truth. After the assassination of Dr. Martin Luther King, Fitch decided to document other movements making history. He photographed Cesar Chavez, Dolores Huerta, farm workers striking in fields, and the founding convention of the United Farm Workers Union. Fitch photographed Dorothy Day of the Catholic Workers movement, Catholic war resisters Daniel Berrigan and Philip Berrigan, activist singer Joan Baez, draft resister David Harris, Black Member of Congress Ron Dellums and Pajaro Valley political leader Luis Alejo. His work is presented in. My Eyes Have Seen. 1971, Richard Steven Street’s. Photographing Farmworkers in California. This Light of Ours: Activist Photographers of the Civil Rights Movement. During his tenure at RCNV, Bob continued his photojournalism by documenting local peace & justice actions and projects in Vietnam (Friendship Village), Brazil (alcohol fuel), Sri Lanka (International Peaceforce), Palestine, Watsonville, UCSC, and the 2006 Guerrero Azteca Tijuana-to-San Francisco march with Fernando Suarez del Solar, Camilo Mejia and Pablo Paredes. In his photography he emphasized the role of the rank and file as agents for social change and he was propelled by a desire to not just observe movements but to be deeply involved in them. He set up RCNV’s website, streamlined and perfected RCNV’s outreach and media connections. Bob lived upstairs at the Resource Center’s Broadway house for several years and served as the unofficial on-site host and chief mischief maker. He was a mentor to countless young people. He had an organizing principle for young activists who sought RCNV support: bring 4 people committed to working for your organizing goal for at least a year, and we will support you. He was active in RCNV’s GI Rights Hotline, counseling troops and young people about alternatives to the military. He was instrumental in bringing the Santa Cruz City Schools Opt-In program to high schools, so that students had to request to be contacted by military recruiters instead of school districts giving student contact information to recruiters. This program was replicated nationwide. Bob played a lead role for RCNV in organizing efforts including the Santa Cruz Living Wage Coalition; the Million Mom March; the Santa Cruz Peace Coalition responding to the 1992 Iraq war, and events featuring Black Member of Congress Ron Dellums and his successor, Barbara Lee. The Bob Fitch Photography Archive is curated by Stanford Libraries Archive and is accessible to all of us. The archive contains over 200,000 images, primarily black and white photographs and negatives, spanning the period from 1965 to 2012. Bob Fitch insisted that as a condition of Stanford receiving the images, people and nonprofit organizations may download high quality image files and reproduce his photos for free. Go online to the Stanford Libraries Bob Fitch Photography Archive. In 1966, a white civil rights worker was thrown in jail in a rural Alabama town. To his surprise and enlightenment, he was bailed out by local citizens – three African-American families used their farms as security for his bail! That worker was me. Those committed and generous farm families, and other working families like them, are my heroes, my role models. The farmers and their families were not Civil Rights movement all-stars. They were not featured and profiled in the daily papers and on TV. Nevertheless, they were the source and sustenance of the Black Civil Rights movement. Successful organizing requires shrewd tacticians, articulate spokes-people and focused workers. But I also know from study and experience that successful social struggle requires the participation and support of the people who live that struggle in their daily learning, job, family and community. Trained to be a Protestant minister. Career as a photojournalist began in 1965 when he joined the Rev. Martin Luther King Jr. S organization, The Southern Christian Leadership Conference, as a staff photographer. As Fitch notes, I worked for two intense years as the volunteer photographer for Dr. King and the SCLC, crisscrossing “Black Belt” states to document his people-to-people speaking tours promoting get-out-the-vote campaigns. Fitch’s work with the SCLC in 1965 and 1966 produced powerful images of Dr. King’s speaking and leadership, as well as of the courageous efforts of marchers in events such as the 1966 Meredith March Against Fear.
RARE Historic Vintage Martin Luther King Day Poster, Los Angeles BOB FITCH
Two_Crown_Brand_VINTAGE_East_Whittier_California_Orange_Crate_Label_1935_Genuine_01_eoay

Two Crown Brand VINTAGE East Whittier California Orange Crate Label 1935 Genuine

Two Crown Brand VINTAGE East Whittier California Orange Crate Label 1935 Genuine

Two Crown Brand VINTAGE East Whittier California Orange Crate Label 1935 Genuine
Two Crown Brand Red Ball grade oranges. This rare vintage 1935 Valencia orange crate label features two elaborate jewel-encrusted gold crowns, one with red and the other with green velvet. The words “Two Crown” are displayed with large custom lettering across the top. The Red Ball logo is prominently displayed. Murphy Ranch, located on the south slope of the Whittier Hills in Los Angeles County, CA, was acquired in 1890 by Simon J. 1890 was also the year he brought water to East Whittier from the San Gabriel River. Citrus was first planted at Murphy Ranch in 1910. It had its own labs for soil analysis, pest control, and research. A Murphy citrus packing house once sat at Whittier Boulevard just west of Penn Street, where a storage facility currently operates. This label is vintage – not a copy and is in very good condition with edge repairs.
Two Crown Brand VINTAGE East Whittier California Orange Crate Label 1935 Genuine
Morning_Glory_Brand_VINTAGE_North_Pomona_California_Orange_Crate_Label_1930s_01_zdd

Morning Glory Brand VINTAGE North Pomona, California Orange Crate Label 1930s

Morning Glory Brand VINTAGE North Pomona, California Orange Crate Label 1930s

Morning Glory Brand VINTAGE North Pomona, California Orange Crate Label 1930s
This rare vintage 1930s orange crate label offers a gold-framed view onto a Southern California agricultural valley at sunrise with a blazing sun beaming over a distant mountain range and foothills. In the foreground are pink and blue morning glory blossoms on a vine beside a perfect ripe orange. The valley floor is covered with orange orchards, the trees planted in neat rows under a glowing orange sky. This beautiful label could have served just as well to sell the Southern California life as it did to sell delicious oranges! This label is vintage – not a copy and is in mint / pristine condition.
Morning Glory Brand VINTAGE North Pomona, California Orange Crate Label 1930s
Robbert_FLICK_East_of_Lancaster_California_1981_VINTAGE_Silver_SIGNED_01_mfvp

Robbert FLICK East of Lancaster, California, 1981 / VINTAGE Silver / SIGNED

Robbert FLICK East of Lancaster, California, 1981 / VINTAGE Silver / SIGNED
Robbert FLICK East of Lancaster, California, 1981 / VINTAGE Silver / SIGNED
Robbert FLICK East of Lancaster, California, 1981 / VINTAGE Silver / SIGNED
Robbert FLICK East of Lancaster, California, 1981 / VINTAGE Silver / SIGNED

Robbert FLICK East of Lancaster, California, 1981 / VINTAGE Silver / SIGNED
Robbert Flick Dutch b. East of Lancaster, along Highway 14, California, SV 044/81. Provenance: Private Collection, NY; Stephen Daiter Gallery, Chicago; David & Sarajean Ruttenberg Collection, Chicago; Landweber Artists, Los Angeles. Vintage gelatin silver print, printed 1982. Signed, titled & dated in pencil on verso. Image size: 13 5/8 x 17 5/8 inches. Print size: 16 x 20 inches. Condition: Excellent; some slight cockling on the left margin, NOT affecting the image; this print has been housed in its original portfolio case since its acquisition. A similar print is in the following collections. Cleveland Museum of Art; LA County Museum of Art; The Museum of Contemporary Art, LA; Museum of Fine Arts, Houston; Nelson-Atkins Museum of Art; Seattle Art Museum; Rhode Island School of Design Museum; Smithsonian American Art Museum; University of Iowa and more. Robbert Flick was born in 1938 and grew up in Amersfoort, Holland. He received a BA from the University of British Columbia, Vancouver and both an MA and an MFA from the University of California, Los Angeles. In addition to being a Getty Scholar, Flick is the recipient of two fellowships from the National Endowment for the Arts and a John Simon Guggenheim Memorial Foundation fellowship (2000). In 2004 the Los Angeles County Museum of Art organized his first major retrospective, Trajectories: The Photographic Work of Robbert Flick. Other exhibitions of his work have been held at the International Center for Photography, New York; National Museum of Art, Smithsonian Institution, Washington, DC; Center for Creative Photography, Tucson, Arizona; and the Art Institute of Chicago. Other series include L. Diary (1967-72), Midwest Diary (1971-76), L. Flick is a Professor of Fine Arts at the University of Southern California.
Robbert FLICK East of Lancaster, California, 1981 / VINTAGE Silver / SIGNED
NFL_Los_Angeles_Rams_Vintage_Blue_Satin_Bomber_Letterman_Baseball_Varsity_Jacket_01_ozv

NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket

NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket
NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket
NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket
NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket
NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket
NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket
NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket

NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket
Vintage 80s NFL Los Angeles Rams Blue Satin Baseball Luxury Varsity College Jacket- All Sizes Available We can add custom embroidery, patches, printing or labels on these jackets as per customer’s requirements. This listing is for a beautiful well made Authentic Style Varsity College Jacket. Very well manufactured, strong material and hardware. Will last you for years to come. Manufactured by County Enterprises. Varsity jacket is crafted in a superior quality finest 100% Satin Body and Satin Sleeves. 2 Front Side pockets and 1 inside pocket in the jacket. The polyester quilted inside lining-Padded is excellent insulation keeping you warm, even during the coldest days. Rib knit cuffs, Collar and Bottom of Jackets made by soft shell knit material – protect your skin. Available in Black, Pink, Green, Blue, Purple, Red, White, Cream, Gray, Brown, Dark Blue & Yellow colors. Available in Men, Women and Kids sizes. You will definitely love the. Supreme quality and design. We accept Pay pal. Do Not Forget to Check Out. All the items are readily available and if any item is x-stock, it will be arranged from outlet in Pakistan. In the unlikely event that your product is faulty in anyway or not as described, Please return us when received and we will. E b a y. We would appreciate it after receiving your item, You would leave us feedback in a timely manner. We will be happy to work with you to resolve any issues. We value your trust and confidence and appreciate your loyalty as a customer.
NFL Los Angeles Rams Vintage Blue Satin Bomber Letterman Baseball Varsity Jacket
Flavorite_Brand_VINTAGE_San_Fernando_California_Orange_Crate_Label_1930_Genuine_01_aiz

Flavorite Brand VINTAGE San Fernando, California Orange Crate Label 1930 Genuine

Flavorite Brand VINTAGE San Fernando, California Orange Crate Label 1930 Genuine

Flavorite Brand VINTAGE San Fernando, California Orange Crate Label 1930 Genuine
This uncommon vintage 1930 orange crate label depicts two fairies with butterfly wings injecting flavor into oranges growing in a grove of trees at nighttime against a backdrop of fireflies. “Flavorite” is obviously a combination of “flavor” and “favorite”. Some of the new labels that emerged in the Advertising Age of California Orange Crate Labels (1920 – 1935) reflected the Art Deco design movement. At its best, this art treatment created a feeling of modern elegance. On labels of the 1920s and early 1930s, it was combined with innovative color treatments made possible because of the development of new printing ink formulations and sophisticated printing registration techniques. The result was a succession of attractive new label designs such as Flavorite. Through its use of stylized imagery Flavorite successfully conveys its advertising message by using an unusual design theme and color treatment in conjunction with a prominent display of oranges as an integral part of the design. McClelland & Jay T. Flavorite Brand label printed by Western Lithographic Company, Los Angeles, CA, #130 Used by the American Fruit Growers, Inc. Los Angeles, Los Angeles County, CA The packing house of American Fruit Growers was at 2160 East Seventh Street, Los Angeles.
Flavorite Brand VINTAGE San Fernando, California Orange Crate Label 1930 Genuine
RARE_Vintage_David_Hockney_Modern_LACMA_Exhibition_Lithograph_Poster_1988_01_gq

RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988

RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988

RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988
This is an exceptional and RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, from the Retrospective of David Hockney’s repertoire at the Los Angeles County Museum of Art in 1988. This work reads: DAVID HOCKNEY… Los Angeles County Museum of Art February 4 – April 24, 1988… ” Small fine print at the lower edge of this print reads: “David Hockney (born England 1937, active in the United States), A Walk around the Hotel Courtyard Acatlan (1985), oil on two canvases, 72 x 240 in. Photograph by Stephen Sloman. Design by Sandy Bell. David Hockney: A Retrospective was organized by the Los Angeles County Museum of Art and is supported by an indemnity from the Federal Council on the Arts and the Humanities. This exhibition is made possible by AT&T. Approximately 18 1/4 x 40 inches including frame. Actual artwork is approximately 18 x 39 1/2 inches. Very good condition for age, with moderate edge wear and paint loss to the original period frame please see photos. Acquired in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! DAVID HOCKNEY- 1988 “LACMA: A Walk Around The Hotel Courtyard, Acatlan”. This 1988 LACMA exhibition was remembered for the wildly successful opening party on Feb. 3, 1988, when over 3000 people showed up. Throngs of hundreds waited outside and down the street. Many were high dollar LACMA contributors and still getting in wasn’t easy. David Hockney painted “A Walk Around the Hotel Courtyard, Acatlán”. In 1985 after discovering a hotel courtyard in Mexico, when car trouble forced him to stop on the way while driving to Mexico City. The painting is one of his more hotly colored works, being mostly red, with green and yellow, and is done in reverse perspective. In the painting the detail of the columns is gone, the painter has vanished, but the viewer is presented with a space where distance is abolished. There is cubism, “scientific” objectivity is gone, and plurality of space is emphasized. Reverse perspective is used to produce an all-seeing experience leading to a visionary feeling. Like a frame around paintings which decorate an altar, it seems to amalgamate real space with the world of the miracle. The original oil on two canvases or a “diptych” measure 183×610 centimeters overall. It is owned by the Benesse Corporation and is currently on display at Benesse House and Art Site, a contemporary art museum and hotel at the art village of Noashima, Japan. Bradford College of Art, Royal College of Art, London. Known for his photo collages and paintings of Los Angeles swimming pools, David Hockney is considered one of the most influential British artists of the 20th century. In fact, in a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time. For nearly 60 years, David Hockney (British, born 1937) has pursued a singular career with a love for painting and its intrinsic challenges. This major retrospective-the exhibition’s only North American venue-honors the artist in his 80th year by presenting his most iconic works and key moments of his career from 1960 to the present. Working in a wide range of media with equal measures of wit and intelligence, Hockney has examined, probed, and questioned how to capture the perceived world of movement, space, and time in two dimensions. The exhibition offers a grand overview of the artist’s achievements across all media, including painting, drawing, photography, and video. From his early experiments with modernist abstraction and mid-career experiments with illusion and realism, to his most recent, jewel-toned landscapes, Hockney has consistently explored the nature of perception and representation with both intellectual rigor and sheer delight in the act of looking. David Hockney British, b. 1937 has produced some of the most vividly recognizable and influential works of the twentieth century. Hockney gained notoriety in his mid-twenties, after receiving the Gold Medal from London’s Royal College of Art, and he quickly became one of the defining figures of the British Pop Art movement. In the late 1960s Hockney relocated to California and established himself as a prolific figurative and landscape artist. He is perhaps best recognized for the works he produced there: brightly colored, large-scale evocative images of the Southern California lifestyle, and domestic, intimate portraits of his friends, family, and lovers. Hockney’s works are notable for their quietness of subject, flatness of space, and subtle reduction of form. Throughout his career he has worked in a wide variety of media, including painting, drawing, collage, photography, and printmaking, often utilizing contemporary technologies, including fax machines, laser photocopiers, and other 20th- and 21st-century digital instruments. Hockney has received a vast number of awards and honors, including the First Annual Award of Achievement from the Archives of American Art, Los Angeles; membership to the Board of Trustees of the American Associates of the Royal Academy Trust, New York; Distinguished Honoree of the National Arts Association, Los Angeles; the Lorenzo de Medici Lifetime Career Award of the Florence Biennale; and nine honorary degrees from institutions worldwide. In 1997, he was made a Companion of Honour from the British and Commonwealth Order for his outstanding achievement in the arts. David Hockney’s work can be found in numerous distinguished public collections around the world, including the Museum of Fine Arts, Boston; the National Gallery of Australia, Canberra; the Art Institute of Chicago; the National Portrait Gallery, London; The Tate Gallery, London; the J. Paul Getty Museum, Los Angeles; the Los Angeles County Museum of Art; the Walker Art Center, Minneapolis; the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; Centre Georges Pompidou, Paris; the Philadelphia Museum of Art; the Museum of Contemporary Art, Tokyo; the Museum of Modern Art, Vienna; the Hirshhorn Museum and Sculpture Garden, Washington, D. And the Smithsonian American Art Museum, Washington, D. He currently lives and works in Normandy, France.
RARE Vintage David Hockney Modern LACMA Exhibition Lithograph Poster, 1988