RARE_Old_Early_California_Arts_Crafts_Landscape_Print_Redwoods_DOOLITTLE_01_fv

RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE

RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE

RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
This is a fantastic and RARE Old Early California Arts & Crafts Landscape Print, Aquatint and Etching on Paper, by early California printmaker Harold Lukens Doolittle 1883 – 1974. This artwork depicts a delightful, forested landscape scene of tall, finely detailed redwood trees in Northern California. This print is from an edition of unknown size, and likely dates to the 1930’s. Titled: “Redwood Giants” in the lower left corner and signed: Harold L. Doolittle in the lower right corner. Approximately 15 7/8 x 19 7/8 inches including frame. Actual visible artwork is approximately 8 3/4 x 10 inches. Good condition for nearly a century of age, with a few faint scuffs to the surface of the paper please see photos. Acquired from an old collection in Los Angeles, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1883 – Pasadena, California. 1974 – Temple City, California. Harold Lukens Doolittle (1883 – 1974) was active/lived in California. Harold Doolittle is known for Printmaker-landscape. Harold Doolittle (American 1883 – 1974) was born in Pasadena, California. He was an etcher and civil engineer who studied at Cornell University and Throop Polytechnic Institute. He worked for many years as chief design engineer for the Southern California Edison Company. He was a bit of a Renaissance man, working in all the graphic processes including photography and collotype, but he is most noted for his aquatints. Doolittle built his own press, mezzotint rocker and preferred to make his own linen paper. He was a member of the Pasadena Society of Artists, Chicago Society of Etchers, Society of American Graphic Artists, California Society of Etchers and the California Print Makers. He served as president of the California Print Makers in the late 1940’s and early 1950’s. Doolittle is represented in the Library of Congress, New York Public Library, Los Angeles Public Library, California State Library, Dayton Art Institute and Brooks Memorial Gallery. Biography from Crocker Art Museum Store. Etcher, lithographer, Harold Lukens Doolittle was born in Pasadena, CA on May 4, 1883. Doolittle studied art at the Throop Institute and civil engineering at Cornell University. Largely self-taught as an artist, he is known primarily for his aquatints. He was a mechanical engineer for Southern California Edison for 30 years and, upon retirement, continued etching on his hand-made rag paper. He died in Temple City, CA on Jan. Member: American Fine Art Association San Francisco Art Association Chicago Society of Etchers; Society of American Etchers California Society of Etchers; Calif. Prairie Makers Pasadena Society of Artists. Exh: San Francisco Art Association, 1919-20 California Society of Etchers, 1920 In: CSL; AIC; LACMA; LA Public Library; Library of Congress; San Diego Museum. AAA 1919-29; WWC 1929; WWAA 1936-62; SCA; California Design, 1910.
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
Arthur_Millier_1893_1975_American_Artist_Drypoint_Etching_California_Landscape_01_uk

Arthur Millier (1893-1975) American Artist Drypoint Etching California Landscape

Arthur Millier (1893-1975) American Artist Drypoint Etching California Landscape
Arthur Millier (1893-1975) American Artist Drypoint Etching California Landscape
Arthur Millier (1893-1975) American Artist Drypoint Etching California Landscape
Arthur Millier (1893-1975) American Artist Drypoint Etching California Landscape

Arthur Millier (1893-1975) American Artist Drypoint Etching California Landscape
The etching is unframed and measures: 11.5″ x 9.75″. Landscape with mountain and river measures 10.25″ x 7″. The condition has signs of aging and yellowing but intact. Millier’Arthur Miller': An influential California etcher, painter and arts writer, Arthur Millier moved from England to Los Angeles in 1908. His first artistic training took place at the Art Students League, Los Angeles. He then served with the American Army in France during World War One. At the end of the war (1918), Arthur Millier completed his studies at the California School of Fine Arts, San Francisco. During the following years he taught art and etching techniques at such institutions as the Chouinard School, the Otis Art Institute, University of Southern California and the Pasadena Art Institute. Arthur Millier also was the long time art editor and critic for the Los Angeles Times. From this important position, Arthur Millier was among the first to promote the growth of regional California art. His association with the California Scene Painters (also called the’California Group’) helped to establish the national reputations of such California artists as Emil Kosa, Phil Dike, Millard Sheets, Barse Miller and Rex Brandt. Arthur Millier’s first etchings and drypoints date from around 1920. They depict the back streets and the poor peoples of San Francisco. Within several years, however, he had turned primarily to the stately California landscape etchings and engravings for which he is now most highly regarded. Such fine work gained him prizes from the California Society of Etchers in both 1922 and 1928. Millier was a full member of the Chicago Society of Etchers, California Society of Etchers, Print Makers’ Society of California and the California Art Club. Today his prints are included in the permanent collections of such major institutions as the Los Angeles County Museum and the Art Institute of Chicago. ITEM TYPE – Vintage. COLOR – Black, White. STYLE – Abstract Expressionist, American Impressionist, American Modern, Expressionism, Expressionist, Landscape, Post-Modern, Post-War. AGE – Mid 20th Century. THEME – Historical, Modern, Traditional. GENRE – American Paintings, Drawings & Sculpture. ORIGIN – United States. American.
Arthur Millier (1893-1975) American Artist Drypoint Etching California Landscape
Antique_Old_California_Plein_Air_Impressionist_Landscape_Oil_Painting_Teagle_01_yd

Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle

Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle

Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
This is a beautiful and dream-like Early Antique Old California Plein Air Impressionist Landscape Oil Painting on artists board, signed: Daisy Teagle? This work approximately dates to the 1920’s – 1930’s. I could not find any information on an artist with this name, but perhaps you can decipher the signature or recognize the artist? This work depicts three trees, with softly painted orange Autumn leaves. In the background, a mountain vista and small rural home can be seen. A label affixed to the back of the frame reads: M. Artists Materials 2414 West 7th St. Los Angeles FEderal 3802. Based on this label, this Plein air scene is likely from the Los Angeles County area. This painting is in good condition, with some minor areas of paint loss. Gilded frame has a few scuffs and light edge wear please see photos. Approximately 16 x 19 7/8 inches including frame. Actual artwork is approximately 12 1/8 x 16 1/8 inches. If you like what you see, I encourage you to make an Offer. Please check my other listings for more wonderful and unique artworks!
Antique Old California Plein Air Impressionist Landscape Oil Painting, Teagle
RARE_Antique_Early_California_Impressionist_Landscape_Etching_Orpha_Klinker_01_czj

RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker

RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker

RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
This is a finely detailed and RARE Antique Early California Impressionist Landscape Aquatint Etching on paper, by renowned California Impressionist painter and printmaker, Orpha Mae Klinker 1891 – 1964. This work is titled: “Trees and Tide” in graphite in the lower left corner, and depicts a serene seaside scene, with calm and rollicking sea in the distance, tall trees, and delicately rendered foliage. This piece is signed and annotated in graphite at the lower center edge: “75/150 An Aquatint, ” and signed: by Orpha Klinker at the lower right edge. This artwork likely dates to the late 1920’s – 1930’s. Approximately 15 x 20 inches including frame. Actual visible artwork is approximately 6 1/4 x 8 1/2 inches. Very good condition for age, with some moderate scuffing and paint loss the original period frame, and several spots of light water staining to the corners of the matting please see photos. Acquired from an old estate collection in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1891 – Fairfield, Iowa. 1964 – Hollywood Hills, California. Adobe landmarks, desert scenes, portrait painting, illustration. Orpha Klinker Carpenter, Orpha Ooley. Landscape paintings and etchings as well as her portraiture and early California historic sites. She was also an active illustrator and graphic designer. Klinker was recognized for her series of historical and pioneer paintings. She painted a series of portraits of notable Californians and memorialized many historic early California structures on canvas. On October 14, 1963, she was awarded a resolution by the. City Council of Los Angeles. Recognizing her outstanding professional skill and appreciation for the many honors she has brought to the city. Orpha Klinker was born in. On November 20, 1891. The firstborn of five children of. And Lydia Jane Raver. Her given name is a modification of the Biblical name. The family moved to California when she was a child, first to. Chico, and eventually to. Klinker attended school in Los Angeles at. Polytechnic High School, and later studied under noted California. She traveled to Europe with fellow artist Crystal Wood Stephen to do further art studies at the. Académie Colarossi, both in Paris, France. Klinker did commercial illustration work in fashion and furniture design during the 1920s in both Los Angeles and New York. She also created book illustrations and contributed to magazines. Starting in the 1930s, she created more than 100 illustrated historical plate designs for. Company in California, a forerunner in the commemorative plate business. These plates, showing historical features of places throughout the United States, are collectibles. While living in New York City, Klinker created a series of. With children’s characters in the. Style featuring fashionable clothing of the 1920s. The series, The Betty Bobbs Family, featuring Betty Bobbs, Bonnie Bobbs, Bobby Bobbs and Baby Bobbs, was published in. Magazine in 1925, in the January, February, May and July issues. They remain sought-after as paper doll collectibles. Beginning in the 1920s, Klinker’s work focused on fashion illustration for retail stores, furniture firms, magazines and pattern companies. Examples of her fashion work appeared in spreads in the. Feature pages to introduce the new season trends. Using multiple figures in elaborate settings, she illustrated the finest in women’s 1920s to 1930s styles. Her signature appeared in these omnibus drawings. Beginning in 1930, Klinker and her brother Zeno Klinker collaborated to form the Klinker Kraft Kard Company. They created a new line of humorous greeting cards during the Depression, a style they called burlesque cards, that was illustrated by Orpha and written by Zeno. World War II, Klinker created pastel portraits for more than 1000 United States military personnel at various Veterans Hospitals. An exhibition of some of these portraits were widely shown, including a show at the Bowers Museum in Santa Ana, California. In the mid 1930s, some of her work was signed with her married name at the time, Orpha Klinker Carpenter. Klinker died in Los Angeles on May 23, 1964. Orpha Klinker’s natural talent for art even appeared in her kindergarten days. She graduated from Polytechnic High School, L. And later studied at U. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach, were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L. TIMES under the heading of Speaking Of Pioneers. This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, “The Last of the 49’ers” (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War with California in 1847. At the site of the signing in North Hollywood, there is now a large memorial building, The Campo de Cahuenga, containing Orpha’s paintings and oil portraits of the signers, Col. Fremont and Jose Antonio Carrillo. She was vice president of the Campo de Cahuenga Association and was one of the best qualified and most genuinely interested historical painters in California. She is also noted for her oil paintings and portraits. She painted John H. Francis, founder and first principal of Polytechnic High School, L. Miss Mary Foy, first teacher and librarian of Los Angeles High School, and Dr. Joseph Widney, first president of U. And founder of its Medical School. She painted many famous and socially prominent people including Mrs. Bell, founder with her husband of Bel Air, California; Madame Caroline Severance, founder of the first two Women’s Clubs in the United States (the Boston Woman’s Club and the Friday Morning Club in Los Angeles); the famous humorist Will Rogers; the early movie star, Miss Claire Windsor; comedian Edgar Bergen and his daughter Candice; and many others. Orpha was commissioned to paint a very large portrait of one of the earlier mayors of Los Angeles while he was in office, Mayor Frank E. This portrait still hangs in the Los Angeles City Hall. She also did outstanding work as an illustrator, illustrating such books as Artists of the Desert and the Enchanted Pueblo by Ed Ainsworth of the L. TIMES, and many other books. They are now collectors’ items as her beautiful oil paintings and etchings are fast becoming. Early in 1964 she had an exhibit at the Waldorf Astoria in New York and she was honored in 1963 by the Los Angeles City Council with an especially designed scroll and also again after her untimely death in 1964, at which time she was vice president of the California Art Club, an Associate Fellow of the American Institute of Fine Arts and was on the board of The Artists of the Southwest. She had also been president of The Women Painters of the West for three terms. In addition to her achievements in the United States, Orpha Klinker has been honored in France, Belgium, Mexico and India. Her paintings are in the collections of the late Winston Churchill, President Franklin D. Roosevelt, and her scenic and flower oil paintings grace the walls of lovely homes and art galleries all over the Western world. A painter of the California and Southwestern desert, Orpha Klinker had a long list of accomplishments as a Los Angeles artist, and was also a recognized portrait, historical and pioneer genre painter. She was of German and English heritage and was born in Fairfield, Iowa, and then lived briefly on a 360 acre farm near New Sharon. Growing up in that area, she loved the desert country and took an interest in the history and traditions of California. She had early art talent, which was encouraged by her mother. Orpha began her career cutting silhouettes for the May Company in Los Angeles when she was 12 years old, and then went into furniture ad art with her work appearing in many newspaper advertisements. She studied at the U. Art School and Cannon Art School and with Paul Lauritz and Anna Althea Hills, her first private teacher. She also became an art teacher, did silhouettes of movie stars, and created “Betty Bobbs” paper dolls. She attended the Julian and Colarossi Academies in Paris, went to New York and did illustration, and then to Philadelphia where she worked for the Ladies Home Journal. Returning to the West, she pursued through her art her combined interests in the desert and history. Her family became a part of this history, owning the Klinker Building, regarded as the first skyscraper Los Angeles. She did a series of portraits and talks titled “Speaking of Pioneers, ” and her research led her far afield into deserts of California, Utah, and Arizona where she painted the Grand Canyon. One of her portraits was of the last of the “49ers, ” Emanuel Speegle. She also did a series of historical scenes on china plates, now collectors’ items and in 1939 designed the official seal of Los Angeles county. She did etchings of the desert, her chief source of inspiration. She was a member of the California Art Club and the Women Painters of the West. Her studio was in her home atop the Hollywood Hills, and she worked for preservation causes including saving the stone home of Charles Lummis, noted writer and founder of the Southwest Museum. Source: Phil Kovinick and Marion Yoshiki Kovinick, An Encyclopedia of Women Artists of the American West. Born in Fairfield, IA on Nov. 20, 1891, she and other members of the Klinker family moved to San Bernardino, CA when Orpha was a child. After graduating from Polytechnic High School, she studied art at UCLA, Cannon Art School, and continued in Paris at Académies Julian and Colarossi. After a year abroad, she worked in New York and Philadelphia before returning to California in 1925. She was married briefly to Wm Ooley (1921-23) and Cliff Carpenter (1932-36). Working in commercial art until middle age, she then stopped to concentrate on fine art. The subjects of her etchings and paintings include still lifes, portraits, California landmarks, and desert scenes. Honors awarded her are: Academician, American Int’l Academy, Washington, DC; Fellow, Andhra Research University of India (1940); Belgium’s Crois de Commandeur (1941). Member of Nat’l Academy of Mexico (1944); Gold Medal, University of Panama (1945); Member of Society of Fine Arts of Brazil (1948). She exhibited nationally, lectured on early California, and by 1959 had illustrated many books including Enchanted Pueblo. Klinker lived in Hollywood, CA until her death on May 23, 1964. Member: Society of American Graphic Artists; Calif. Society of Etchers; Laguna Beach Art Association; Los Angeles Art Association. California State Fair, 1930; Women Painters of the West, 1934-44; Friday Morning Club (LA), 1934; USC, 1935; Calif. Pacific Int’l Expo (San Diego), 1935; LA City Hall, 1935, 1938 (solos); Calif. Art Club, 1936; Ebell Salon (LA), 1937, 1955; Chamber of Commerce (Santa Paula), 1938; GGIE, 1939; Southwest Museum (LA), 1940 (solo); SWA, 1944; Artists of the Southwest (LA), 1948. In: City Hall (LA); Polytechnic High School (LA); MM. Who’s Who in California. Artists of the American West. Women Artists of the American West. (Nancy Moure); Los Angeles Times, 5-25-1964 (obituary).
RARE Antique Early California Impressionist Landscape Etching, Orpha Klinker
Important_Early_Old_California_Plein_Air_Landscape_Oil_Painting_A_C_Conner_01_zqc

Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner

Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner

Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
This is a masterful and historically Important Early Old California Plein Air Impressionist Landscape Oil Painting on canvas, by early Manhattan Beach luminary, and founding member of the Painters Club of Los Angeles (created 1906,) Albert Clinton Conner A. Conner 1848 – 1929. This artwork depicts a bucolic and finely detailed wooded landscape scene, likely in the San Gabriel Mountain range. Delicately painted trees, snow covered peaks in the distance, and autumnal hued foliage punctuate the scene. Conner in the lower right corner. This artwork likely dates to the 1900’s – 1910’s. Approximately 15 x 19 inches including frame. Actual artwork is approximately 10 x 14 inches. Good condition for over a century of age, with light craquelure in some areas, and mild scuffing and edge wear to the gilded wood frame please see photos. Acquired in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1848 – Fountain City, Indiana. 1929 – Manhattan Beach, California. Landscape and marine painting. A self-taught painter, Albert Conner was born in Fountain City, Indiana and spent most of his career in that state. In the early 1900s, he moved to Los Angeles and began exhibiting in local galleries. He did many paintings of Manhatten Beach, where he was elected City Treasurer when the town was newly incorporated and was active until his death on april 13, 1929. He was a long-time member of the California Art Club. His painting of “The Grand Canyon” is in the Santa Fe Railroad Collection, and he also has work in the collection of the Manhatton Beach Historical Society. ALBERT CLINTON CONNER, ARTIST. Albert Clinton Conner – Biography. Born on September 5, 1848 in Fountain City, Indiana to James Henry Conner and Sarah Jane Keever Conner. Siblings included Louisa b. 1854, John Charles Fremont b. 1857 and Henrietta’Ettie’ b. AC and Viola married on March 8, 1871 in Richmond, Indiana. They had five children all born in Richmond, Indiana: Jessie b. 1879 And Fred H. 1871 – 1887, employed by the Hoosiers Drill Company as a pattern maker. Letter of recommendation from the Superintendent of Hoosiers Drill Company. Conner has been employed with us as a pattern maker for the past six years, and during that time has filled the position with much credit to himself and has given us entire satisfaction in every respect. He is a first class mechanic and draughtsmen, an excellent worker, and in addition to this possesses a large stock of ingenuity and talent that is invaluable to one of his profession. We have always regarded Mr. Conner as a gentleman of ability and intelligence, and earnestly recommend him to those desiring his services, confident that he will prove trustworthy and satisfactory in every respect. The Ramblers Sketch Club. John Charles, known as Charles, was a painter in his own right. Together with Frank Girardin and Micajah Thomas Nordyke, the brothers founded The Rambler’s Sketch Club in 1881 in Indiana. Soon after they added John Elwood Bundy to their members. The Rambler’s Sketch Club later became The Richmond Art Association. AC and Charles moved to Los Angeles, California in 1887. He and his family resided at 232 South Griffin Avenue in the area now called Lincoln Heights. The Painters Club of Los Angeles. Created on 03.17.1906 in the studio of William Swift Daniell. AC Conner was elected first President, their intended mission was’ to meet in the spirit of comradeship and good temper for mutual criticism and suggestion on one another’s recent work. 11 founding members and present that evening: Anthony E. Anderson, Carl Oscar Borg, William Henry Cole, AC Conner, Frank Charles Conner, David H. Dunn, William Swift Daniell, Frank Elwin Evans, Frank Rensselear Liddell, Hanson Puthoff and George Thomas Winterburn. New virtual exhibit at Manhattan Beach Art Center opens this week. The Manhattan Beach Art Center will launch this weekend a new virtual exhibit featuring the work of two major local artists. The exhibit is titled “Rediscovered: The Life and Art of AC Conner and Eva Joseph Goldsheid, ” and explores the importance both artists had on Manhattan Beach culture. The work featured in the two-month exhibit spans the artists’ collective 120 years in Manhattan Beach. An online gallery and video presentation of the exhibition will go up on the city’s website at 6 p. Visiting the exhibit in person is not possible at the moment because the art center is closed to the public because of the coronavirus pandemic. Conner was born in Indiana in 1848. Conner was inspired by regionalism, an offshoot of landscape painting. As he trekked west, ultimately on his way to California, he painted national landmarks like the Grand Canyon. Connor eventually set roots in Manhattan Beach to further pursue his love of painting and nature. But he was also Manhattan Beach’s first city treasurer. He helped build the foundation of the city’s local government. But beyond that, he also created clubs and opportunities for musicians and artists to gather and share their craft with one another. He exhibited his work throughout Los Angeles County so people could experience the region’s nature even if they weren’t able to visit it personally. Conner died in 1929. Eva Joseph Goldsheid, meanwhile, was born in 1926 in Germany. In 1938, when she was 12 years old, Goldsheid and her mother – who were Jewish – escaped Nazi Germany and fled to New York. Once in the United States, Goldsheid fulfilled her dream of becoming a successful artist. She was influenced by the abstract expressionism movement and her personal style was steeped in self-expression. Goldsheid influenced generations of artists, teaching classes in Manhattan Beach until she died in 2017. The exhibit will run from Friday, Jan. 22, to March 21. He art center, however, will have the paintings up on its walls in case the pandemic wanes and it can reopen before the exhibit ends, said Eilen Stewart, the city’s acting manager for the Cultural Arts Division. Sometime circa 1909 Albert Clinton Conner stepped off a train into a fledgling little development called Manhattan Beach. Further down the rails, Hermosa Beach and Redondo Beach were already booming beach towns, but the scraggly sandswept environs of Manhattan Beach – dominated by a large series of dunes forming a crest through the middle of the settlement – had made it less desirable for prospective homeowners. It wouldn’t become incorporated as a city for another three years. But “Pops, ” as Conner was known, didn’t have a problem with dusty places. He was patternmaker, inventor, and artist; he was attracted to new frontiers. He’d spent most of his 61 years in Indiana. He was a self-taught Impressionist painter of some acclaim who, along with his brother, Charles, had founded the Rambler’s Sketch Club, which metamorphosed into the renowned Richmond Art Group. Richmond was a small and surprisingly art-minded little city in the flatlands of eastern Indiana. 12,000 at the time Conner lived on its outskirts, was the seat Wayne County and the first place a motion picture was ever shown to an audience, home to one of the first jazz record labels in history (Hoagy Carmichael’s “Stardust” was originally recorded there), and the smallest community in the United States to have supported a professional opera company and symphony orchestra. Conner moved to Los Angeles in 1887. He was one of the founders of the California Painters Club and served as its first president in 1906. The club would later become the California Art Club, one of the oldest organizations of its kind still extant, and its early shows featured Conner’s work. In fact, his paintings of Manhattan Beach would be the first sight many people ever had of the town. At one point, almost every painter from the Rambler’s Sketch Club had a reunion in Los Angeles. Manhattan Beach became one of their favorite subjects. “‘Our friends in Richmond wouldn’t believe that we travel 27 miles to sketch, and return the same day,'” remarked Conner to his mates, according to a 1911 Los Angeles Times story. Conner was increasingly drawn to the wild beauty of the little beach community, as were his compatriots. “They rented a bungalow at Manhattan Beach, and every day sallied forth to sketch together, as they used to do 30 years ago, ” the Los Angeles Times reported. Finally, Conner and his family relocated to the beach. When the city incorporated in 1912, he was elected its first treasurer. “He was a founder of Manhattan Beach, ” said Martin Betz, the city’s cultural arts manager. It’s interesting that art is in Manhattan Beach before the surfers, or volleyball. Beach volleyball probably wasn’t even invented yet in 1912. Conner was also friends with William Wendt, considered “the dean of of Southern California landscape painters” and one of the key players in establishing Laguna Beach as an artistic hub. Betz believes that Laguna’s more tame natural environment played a role in its becoming a gathering point for artists, relative to the unruliness of Manhattan Beach. “What happened – this is my theory – is Manhattan Beach was so sandy at that time, it was really hard to paint outside, because sand can really mess up paint, ” Betz said. Laguna Beach didn’t have sand in the same way – it’s a canyon there, really not much sand, just a river entering the sea. A century later, Manhattan Beach intends to change that narrative. A public arts initiative is underway. Betz is spearheading the effort, and the current City Council has taken an aggressive, arts-forward stance. Among the projects underway are a sculpture garden, the installation of 15 to 20 murals throughout the city, wraparound art on utility boxes, and a grants program meant to fund small scale art projects at local schools and elsewhere in the community – things such as dance performances at Joslyn or Heights Community Centers, theater productions at Mira Costa High School, and exhibits in restaurants and coffee houses. The goal is nothing less than to transform Manhattan Beach into one of the focal points for art in the region. I think we’ve gotten nowhere for far too long. I’ve said it for years: we should be the Florence of Southern California. Mayor Amy Howorth shares that vision. Like Napolitano and Betz, she believes public art should be a focal point, but also only a starting point. “We are world famous for beaches and surf culture and beach volleyball, ” Howorth said. These are are great, healthy, wonderful things to do, but we should also be known for our writers and screenwriters. We have thought leaders here, and artists, business leaders and design innovators. We are a very special place and I want us to be as proud of these other types of culture as we are about sports. This initiative that Martin is spearheading is a really big part of that. I think Steve and I both feel we don’t always have to make a grand gesture about art. It can be art that you just happen upon, and it doesn’t have to be conventional forms of art. Conner, who had almost been forgotten locally, will be the subject of a semi-permanent exhibit featuring nine of his paintings at City Hall. Bridges, who was asked to do the renderings by City Councilperson Richard Montgomery but whose project will likely need to go through a Request for Proposal process, said he saw it as an opportunity for Manhattan Beach to reclaim its own art.
Important Early Old California Plein Air Landscape Oil Painting, A. C. Conner
Los_Angeles_County_Aerial_View_Wall_Decor_California_Skyline_Landscape_Wall_A_01_fh

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall Art Pictures Canvas Print Posters Painting Framed Home Living Room Decoration 5 Piece Ready to Hang(60&#######x27;&#######x27;Wx32&#######x27;&#######x27;H). Size: 60&#######x27;&#######x27;Wx32&#######x27;&#######x27;H Color: Artwork-20 Brand: Artbrush Tower MPN: DKZK-Travel-C-80×30-20 UPC: Does not apply EAN: Does not apply. Product Dimensions: 16 x 32 x 0.01 inches. Item Weight: 4.09 pounds. Item model number: DKZK-Travel-C-80×30-20. Date First Available: December 1, 2020. High Definition Giclee modern canvas printing artwork, photo picture printed on high quality canvas. Stretched and framed, each panel has a black hook for easy mounting on wooden bars for easy hanging. A perfect wall art for living room, bedroom, kitchen, office, Hotel, dining room, office, bathroom, bar etc. Believe that we can make you satisfied through our efforts.
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los_Angeles_County_Aerial_View_Wall_Decor_California_Skyline_Landscape_Wall_A_01_hoii

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall Art Pictures Canvas Print Posters Painting Framed Home Living Room Decoration 5 Piece Ready to Hang(60&#######x27;&#######x27;Wx32&#######x27;&#######x27;H). Size: 60&#######x27;&#######x27;Wx32&#######x27;&#######x27;H Color: Artwork-20 Brand: Artbrush Tower MPN: DKZK-Travel-C-80×30-20 UPC: Does not apply EAN: Does not apply. Theme: Landscape, Modern, Skyline. Room Type: Living Room. Product Dimensions: 16″L x 32″W. Frame Type: Wrapped Canvas. Number of Items: 5. Size: 60&#######x27;&#######x27;Wx32&#######x27;&#######x27;H. Mounting Type: Wall Mount. Product Dimensions: 16 x 32 x 0.01 inches. Item Weight: 4.09 pounds. Item model number: DKZK-Travel-C-80×30-20. Date First Available: December 1, 2020. High Definition Giclee modern canvas printing artwork, photo picture printed on high quality canvas. HD Giclee Modern Canvas Print Artwork, Photo Pictures Printed on High Quality Canvas. Stretched and framed, each panel has a black hook for easy mounting on wooden bars for easy hanging. A perfect wall art for living room, bedroom, kitchen, office, Hotel, dining room, office, bathroom, bar etc. Believe that we can make you satisfied through our efforts. The high quality canvas for texture and finish; premium inks for vivid color. The canvas has a built in coating which makes it moisture, UV protected and abrasion resistant. The canvas is durable enough to withstand cleaning by taking a damp cloth to the surface to remove dust. The wood used to create the stretcher bars from prints are made from pine tree, which have extreme strength and stability. Every item is made-to-order – printed, stretched, and stapled here, at DONGKU. All of our artwork comes gallery wrapped. The image is stretched around the sides and stapled to the back of the wooden frame. Your piece of art will be ready to hang, and will include an easy-to-use hanging kit. PLEASE NOTE: Due to monitor display issues, the actural canvas wall art colors maybe slightly different from the pictures. They were not taken in real display rooms and do not represent the real size of the print set. They are just as an idea to help you being aware of how this canvas art print looks like in a room. Please measure your wall properly and make sure you pick the right size. This item is in the category “Home & Garden\Home Décor\Posters & Prints”. The seller is “lindalindaxi” and is located in this country: US. This item can be shipped worldwide.
  • MPN: DKZK-Travel-C-80×30-20
  • Size: 60”Wx32”H
  • Brand: Artbrush Tower
  • Color: Artwork-20

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall A
Los_Angeles_County_Aerial_View_Wall_Decor_California_Skyline_Landscape_Wall_01_xpw

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall
Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall. High Definition Giclee modern canvas printing artwork, photo picture printed on high quality canvas. HD Giclee Modern Canvas Print Artwork, Photo Pictures Printed on High Quality Canvas. Stretched and framed, each panel has a black hook for easy mounting on wooden bars for easy hanging. A perfect wall art for living room, bedroom, kitchen, office, Hotel, dining room, office, bathroom, bar etc.. Believe that we can make you satisfied through our efforts. As our valued customer, we will do our best to make sure the product you receive arrives to you on time and as expected. This item is in the category “Home & Garden\Home Décor\Posters & Prints”. The seller is “yogam56″ and is located in this country: US. This item can be shipped worldwide.
  • Studio: DONGKU
  • Size: 60”Wx32”H
  • Publisher: DONGKU
  • ProductTypeName: WALL_ART
  • ProductGroup: Single Detail Page Misc
  • Model: DKZK-Travel-C-80×30-20
  • MaterialType: Fabric
  • Manufacturer: DONGKU
  • Label: DONGKU
  • Color: Artwork-20

Los Angeles County Aerial View Wall Decor California Skyline Landscape Wall
Vintage_Fauve_Landscape_Poster_Los_Angeles_County_Museum_1990_38_x_26_Derian_01_bfio

Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian

Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian
Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian
Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian
Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian
Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian
Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian

Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian
Found at an estate sale, wrapped in original plastic tube. In pretty nice condition, doesn’t seem to have ever been hung. There is a small circular stain on the right border (see photo #4). Andre Derian Port de Peche Thanks for looking! This item is in the category “Art\Art Posters”. The seller is “estatesalegems” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, Korea, South, Indonesia, South Africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Mexico, New Zealand, Philippines, Singapore, Norway, Saudi Arabia, United Arab Emirates, Bahrain, Croatia, Republic of, Malaysia, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion, Uruguay, China, Taiwan, Thailand, Israel, Switzerland, Qatar, Kuwait, Brazil, Ecuador, Peru, Vietnam.
  • Type: Poster
  • Subject: art

Vintage Fauve Landscape Poster Los Angeles County Museum 1990 38 x 26 Derian