RARE_Hand_signed_Dmitri_Cherniak_Ringers_962_SilkScreen_Print_2023_01_skvz

RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023

RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023

RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
This limited edition silk screen print by Dmitri Cherniak features his iconic Ringers design, numbered out of 726. The colorful print measures 19.7 inches in length and height, and is signed by the artist. This piece would be a beautiful addition to any art collection, whether framed or unframed. The LACMA Iterations title references the Los Angeles County Museum of Art where Cherniak has exhibited his work. Own a piece of contemporary art history with this stunning and unique print.
RARE Hand-signed Dmitri Cherniak Ringers #962 SilkScreen Print, 2023
Stephen_de_Hospodar_WPA_Era_Woodblock_Print_Iron_Moulder_Listed_California_01_cfd

Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California

Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California
Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California
Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California
Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California
Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California
Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California

Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California
The following biography is from Annex Galleries. He was educated at the Budapest Academy, Columbia University and the National Academy of Design. In New York, he studied under Robert Henri, George Bellows and Charles W. De Hospodar arrived in California in 1926 setting in Los Angeles where he designed stage sets for the motion picture industry. He is noted for his stark compositions in block prints, he authored two books on block printing, and he exhibited frequently at the Hollywood Public Library and the Los Angeles County Museum of Art. De Hospodar is represented in the collections of the Getty Museum, Syracuse University, Dallas Museum of Fine Art, San Diego Museum, Fogg Museum, Museum of Fine Arts Boston, University of California Los Angeles, as well as the Los Angeles, San Diego and New York Public Libraries. This print is signed lower right and is titled lower left and numbered 25/100. It measures 6.5″ x 5″ (image size) and is in good condition although likely with toning. Framed as shown (older frame and mat).
Stephen de Hospodar WPA Era Woodblock Print Iron Moulder Listed California
Laurie_BROWN_Landscape_1979_VINTAGE_Silver_Print_SIGNED_01_pwrr

Laurie BROWN Landscape 1979 / VINTAGE Silver Print / SIGNED

Laurie BROWN Landscape 1979 / VINTAGE Silver Print / SIGNED
Laurie BROWN Landscape 1979 / VINTAGE Silver Print / SIGNED
Laurie BROWN Landscape 1979 / VINTAGE Silver Print / SIGNED
Laurie BROWN Landscape 1979 / VINTAGE Silver Print / SIGNED

Laurie BROWN Landscape 1979 / VINTAGE Silver Print / SIGNED
Laurie Brown American b. Vintage gelatin silver print, printed 1979. Signed in pencil in the margin. From an unnumbered edition of 35 (Edition 22/35). Only 22 prints were made available to the public – the others went to the artists and museums. Image size: 7 ¾ x 11 ½ inches. Print size: 11 x 14 inches. Mat size: 16 x 20 inches. Provenance: Private Collection, NY; Stephen Daiter Gallery, Chicago; David & Sarajean Ruttenberg Collection, Chicago (1983); Susan Spiritus Gallery, Newport Beach, CA. Condition: Excellent; lower left corner slightly creased, only in the margin and NOT affecting the image; this print has been housed in the original archival portfolio case since its printing. Laurie Brown was born in Austin, Texas and raised in Los Angeles. She received a B. In International Relations from Scripps College in Claremont, California and a M. Degree in Fine Arts from California State University, Fullerton. In 1978 Brown was awarded a National Endowment for the Arts Fellowship Grant and in 2002 she was designated Outstanding Individual Artist of the year by ARTS Orange County. Laurie Brown’s photographs are in the permanent collections of the Los Angeles County Museum of Art, San Francisco Museum of Modern Art, The Museum of Fine Arts, Houston, Philadelphia Museum of Art, California Museum of Photography at UCR, Minneapolis Institute of the Arts, and the Art Institute of Chicago, among others. Brown has had one-person and group exhibitions at numerous institutions, including the Santa Barbara Museum of Art, Nevada Museum of Art, Museum of Contemporary Art, San Diego, Laguna Art Museum, Palm Springs Art Museum, Orange County Museum of Art, Center for Creative Photography, Tucson, Huntington Library and the Sezon Museum in Tokyo. Laurie Brown’s first book of photographs, RECENT TERRAINS: Terraforming the American West, was published in 2000 by Johns Hopkins University Press in association with The Center for American Places. Brown’s latest book, LAS VEGAS PERIPHERY: Views From the Edge, was recently published in 2013 by George F. California Museum of Photography, UC Riverside, 2016- 17 Nevada Museum of Art, Reno, Nevada, 2013 Laguna Art Museum, Laguna Beach, California, 2001 Craig Krull Gallery, Santa Monica, California, 1998, 2001 Irvine Fine Arts Center, Irvine, California, 1995 Turner/Krull Gallery, Los Angeles, 1993 Orange Coast College, Costa Mesa, California, 1992, 1996 Cypress College, Cypress, California, 1991 Palm Springs Art Museum, California, 1988 Scripps College, Claremont, California, 1987 Jan Turner Gallery, Los Angeles, California, 1986, 1989 The University Art Museum, California State University, Long Beach, 1983 Hunsaker/Schlesinger, Los Angeles, California, 1982 Stage One Gallery, Orange, California, 1980 Janus Gallery, Venice, California, 1979, l982, 1984 Arco Center for Visual Arts, Los Angeles, California, 1978 G. Gallery, Photography Department, UCLA, California, 1978 California State University, Fullerton, 1976.
Laurie BROWN Landscape 1979 / VINTAGE Silver Print / SIGNED
RARE_Antique_American_WPA_Social_Realism_Print_Chinatown_1932_L_Allemand_01_nolk

RARE Antique American WPA Social Realism Print, Chinatown 1932 L’Allemand

RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand

RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
This is a historically significant and Very RARE Antique American WPA Social Realism Woodcut Print on Rice Paper, by early Los Angeles, California journalist, photographer, writer, illustrator, and artist, Gordon Lynn L’Allemand “Allemand” 1903 – 1974. There are limited sources of information on this artist, but perhaps you know more about him or his work? This piece depicts the shadowy silhouette of a Chinese man with a flatcap, smoking a cigarette in an open doorway. Across the alley, several shady characters, and a small child stand in the entryway of a Los Angeles Chinatown Tong clubhouse. In American Chinatowns, Tongs were essentially secret societies or brotherhoods created by Chinese immigrants, which promoted and maintained order and settled community disputes among the minority Chinese population. During the 1930’s, they were often associated with crime, such as prostitution, bootlegging, and operating opium dens. This piece is titled in graphite: “Tong Lookout Chinatown, ” at the lower left edge, and signed: “Gordon L’Allemand” in graphite at the lower right edge. Additionally, there is an annotation in graphite underneath the signature which reads: To Warren from Gordon, Best Wishes. Approximately 13 x 17 inches including frame. Actual artwork is approximately 9 1/2 x 12 5/8 inches. Very good condition for nearly a century of age, and the fragile nature of the rice paper, with expected age-related toning, mild creasing at the edges, and some light discoloration please see photos carefully. Acquired from an old collection in Los Angeles, California. This is the first original artwork by L’Allemand to ever be offered for sale since the invention of the Internet. This early artistic representation of the Los Angeles historic Chinatown is Priced to Sell. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! Gordon Lynn L’Allemand. 1903 – Bowling Green, Kentucky. 1974 – San Luis Obispo, California. Born in Bowling Green, KY on April 2, 1903. By the 1920s L’Allemand had settled in Los Angeles and was a pupil of J. He wrote articles for the Times and was the author-illustrator of several books including You Can Grow Dwarf Trees and Pageantry On The Mesa. His subjects include still lifes, figure studies, scenes of Los Angeles, and portraits. He died in San Luis Obispo, CA on Oct. Exh: Laguna Beach AA, 1930; LACMA, 1930 (solo), 1931 (prize); Calif. Art Club, 1930-31; Painters & Sculptors of LA, 1931-37; Bullocks (LA), 1932; Calif. State Fair, 1937; All Calif. Source: Nancy Dustin Moure, Publications in California Art No. Like other major Chinatowns across the country, Old Chinatown had long been represented as a world of underground passages and secret rooms. A 1930 Los Angeles Times article described the community in this way, Tong wars, murders, dope raids, hop-house scandals, white and yellow slavery, underground tunnels, secret trap doors; all have been here. Outside in the streets old men bask lazily in the sunshine and life is peaceful to the eye, but behind barred doors one feels that mystery is eternally seething. 71 In popular articles like these, Old Chinatown was depicted as being not just unseen but unseeable to the eyes of the city’s white population. The stories of underground tunnels reflected broader fears that many whites held of Chinatown and Chinese people somehow being invisible to police and government power. In this way, Old Chinatown was represented as existing outside the legal and juridical boundaries that defined so much of the rest of the city. Indeed one might argue that the idea of being seen or seeable to the broader white population correlated directly with popular perceptions of the perceived governability of the residents of the community. The notion that Chinatown was ridden with tunnels and secret passages reflected dominant fears that the neighborhood’s residents not only could not be seen by the state, the police, or by the white power structure but also that they could not be governed in the same way. Gordon L’Allemand, ” Old Chinatown, ” Los Angeles Times, October 5, 1930, K8.
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
Dmitri_Cherniak_Ringers_962_The_LACMA_Iterations_SilkScreen_Print_2023_01_sg

Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023

Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023

Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
This limited edition silk screen print by Dmitri Cherniak features his iconic Ringers design, numbered out of 726. The colorful print measures 19.7 inches in length and height, and is signed by the artist. This piece would be a beautiful addition to any art collection, whether framed or unframed. The LACMA Iterations title references the Los Angeles County Museum of Art where Cherniak has exhibited his work. Own a piece of contemporary art history with this stunning and unique print.
Dmitri Cherniak Ringers #962 The LACMA Iterations SilkScreen Print, 2023
Josef_Albers_White_Line_Squares_1966_OFFSET_PRINT_SET_OF_8_Gemini_G_E_L_PROMO_01_jd

Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO

Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO

Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
LA County Museum of Art 1966 exhibition catalogue entitled Josef Albers: White line Squares. Embossed coated paper cover in good condition with a little foxing and minor discoloration; bottom front corner dented as photographed. 7 Color illustrations are vivid and in great condition. 7-1/2″ x 7-1/2″ 66 page catalogue has no tears, stains, creases, or omissions. Tissue paper endpapers intact. Josef Albers White Line Squares: A set of 6 lithographic inserts (measuring approx 7.25 x 7.25 inches each), published as part of the 1966 exhibition catalog: Josef Albers : White Line Squares – a touring exhibition organized by Los Angeles County Museum of Art in 1966. Looks fantastic framed as a set. Medium: Lithographic sheets in colors (set of 6 individual works). Overall dimensions including borders: 7.25 x 7.25 inches (applies to each individually). Very good overall vintage condition; some minor signs of aging to each; blue contains some staining on left edge and a white spec/printing loss on lower left corner. Unsigned from an edition of unknown. Works are unbound lithos that were included in the 1966 exhibition catalog & are not related to the (signed) larger Gemini G. Offered by Lot 180 Gallery.
Josef Albers White Line Squares 1966 OFFSET PRINT SET OF 8 Gemini G. E. L PROMO
DON_MUNZ_1983_Palette_Du_Soir_EMBOSSED_SERIGRAPH_PRINT_Signed_Numbered_01_aynp

DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered

DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered
DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered
DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered
DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered
DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered
DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered

DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered
Don Munz American, b. 1931 “Palette Du Soir” serigraph with embossing, 1983. Signed in pencil at lower right. Titled in pencil at lower left. A beautiful, large-scale serigraph with areas of embossing titled “Palette Du Soir” which translates to “Evening Palette” – the perfect title for this mesmerizing, softly glowing landscape at twilight rendered in graduated shades of azure blue, peach, rose, orange, and plum. This tranquil landscape demonstrates Munz’s fascination with less populated, undisturbed, remote areas that possess undeniable natural beauty and engender peace of mind. Size (serigraph): 26″ L x 39″ W (66 cm x 99.1 cm) Size (acrylic frame): 27.375″ L x 40.375″ W (69.5 cm x 102.6 cm) About the artist: Don Munz was born in San Francisco, lived in southern California for many years, and moved to Kemptville, Ontario. Munz earned his Bachelor of Arts at Art Centre College of Design and his Master’s degree from California Statue University of Los Angeles. In addition to creating art, he taught at Pasadena College. Munz was a printmaker for fifteen years and created 140 serigraph editions. He also painted in oils. Munz’s works have been selected regularly for the California Art Club Gold Medal Exhibition, the Oil Painters of America show, and the Los Angeles County Museum of Natural History Art Show. Artwork is mounted under acrylic in excellent condition. There are a few scuffs to the acrylic encasement as shown. Suspension hooks on verso.
DON MUNZ 1983 Palette Du Soir EMBOSSED SERIGRAPH PRINT Signed Numbered
RARE_Old_Early_California_Arts_Crafts_Landscape_Print_Redwoods_DOOLITTLE_01_fv

RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE

RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE

RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
This is a fantastic and RARE Old Early California Arts & Crafts Landscape Print, Aquatint and Etching on Paper, by early California printmaker Harold Lukens Doolittle 1883 – 1974. This artwork depicts a delightful, forested landscape scene of tall, finely detailed redwood trees in Northern California. This print is from an edition of unknown size, and likely dates to the 1930’s. Titled: “Redwood Giants” in the lower left corner and signed: Harold L. Doolittle in the lower right corner. Approximately 15 7/8 x 19 7/8 inches including frame. Actual visible artwork is approximately 8 3/4 x 10 inches. Good condition for nearly a century of age, with a few faint scuffs to the surface of the paper please see photos. Acquired from an old collection in Los Angeles, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1883 – Pasadena, California. 1974 – Temple City, California. Harold Lukens Doolittle (1883 – 1974) was active/lived in California. Harold Doolittle is known for Printmaker-landscape. Harold Doolittle (American 1883 – 1974) was born in Pasadena, California. He was an etcher and civil engineer who studied at Cornell University and Throop Polytechnic Institute. He worked for many years as chief design engineer for the Southern California Edison Company. He was a bit of a Renaissance man, working in all the graphic processes including photography and collotype, but he is most noted for his aquatints. Doolittle built his own press, mezzotint rocker and preferred to make his own linen paper. He was a member of the Pasadena Society of Artists, Chicago Society of Etchers, Society of American Graphic Artists, California Society of Etchers and the California Print Makers. He served as president of the California Print Makers in the late 1940’s and early 1950’s. Doolittle is represented in the Library of Congress, New York Public Library, Los Angeles Public Library, California State Library, Dayton Art Institute and Brooks Memorial Gallery. Biography from Crocker Art Museum Store. Etcher, lithographer, Harold Lukens Doolittle was born in Pasadena, CA on May 4, 1883. Doolittle studied art at the Throop Institute and civil engineering at Cornell University. Largely self-taught as an artist, he is known primarily for his aquatints. He was a mechanical engineer for Southern California Edison for 30 years and, upon retirement, continued etching on his hand-made rag paper. He died in Temple City, CA on Jan. Member: American Fine Art Association San Francisco Art Association Chicago Society of Etchers; Society of American Etchers California Society of Etchers; Calif. Prairie Makers Pasadena Society of Artists. Exh: San Francisco Art Association, 1919-20 California Society of Etchers, 1920 In: CSL; AIC; LACMA; LA Public Library; Library of Congress; San Diego Museum. AAA 1919-29; WWC 1929; WWAA 1936-62; SCA; California Design, 1910.
RARE Old Early California Arts & Crafts Landscape Print, Redwoods DOOLITTLE
Tim_Burton_Numbers_Series_LACMA_2011_Exclusive_Print_Los_Angeles_Museum_Art_RARE_01_aksa

Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE

Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE

Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE
Please see pics for details. This is a Tim Burton Numbers Series LACMA 2011 Exclusive Print from the Los Angeles County Museum of Art. Some storage wear on the back of the print. Overall good condition that can be seen in photos. Measures 37.5 x 17.5. Thanks for your interest. Feel free to ask questions. Please check out our shop for more vintage and modern collectibles, wearables and assorted home goods found around the house.
Tim Burton Numbers Series LACMA 2011 Exclusive Print Los Angeles Museum Art RARE