Antique_Early_California_Tonalist_Impressionist_Landscape_Painting_FRANCISCO_01_tfaz

Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO

Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO

Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
This is an enchanting and wonderful Antique Early California Tonalist Impressionist Landscape Oil Painting on Artist Board, by the esteemed early California landscape painter, John Bond Francisco 1863 – 1931. The piece depicts a tranquil sunset scene at dusk, with the golden orange hues of the setting sun portrayed in striking contrast with the shadowy silhouettes of the trees and forest below. In the foreground, a placid body of water, possibly a small pond is visible. Bond Francisco in the lower right corner. This small gem is approximately 14 1/4 inches wide x 14 1/2 inches tall including frame. Actual artwork is approximately 7 1/4 x 7 1/2 inches. This painting likely dates to the late 1910’s – 1920’s. Good condition for age and storage, with mild – moderate scuffing, scratches and edge wear to the original antique period wooden frame please see photos. Acquired from an old collection in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1863 – Cincinnati, Ohio. 1931 – Los Angeles, California. Landscape, figure and portrait painting. John Bond Francisco (1863 – 1931) was active/lived in California, Ohio. John Francisco is known for Landscape, figure and portrait painting. John Bond Francisco was born in Cincinnati, OH on Dec. From an early age Francisco was drawn to both music and art. He studied the violin with Hermann Eckhardt and painting at the Cincinnati Art Academy for several years. He arrived in Los Angeles in 1887 and was so taken with the beauty of the place, he opted to make it his home. He soon continued his studies in Berlin, Munich, and in Paris at Académies Julian and Colarossi under Courtois, Bouguereau, and Robert-Fleury. While in Europe he studied the violin in the morning hours and painting in the afternoon. Upon returning to Los Angeles in 1892, he married and built a home at 1401 Albany Street where he lived for the rest of his life. Combining an art and music career, he helped form the Los Angeles Symphony Orchestra in 1897 and served as their first concert master. While teaching music and art at his studio, he made painting excursions into the surrounding countryside, often with his pupil Elmer Wachtel. He combined his Munich technique with that of the Barbizon’s influence to produce paintings of California deserts and mountains that held dramatic light and shade contrasts. Later his palette brightened, and he leaned more toward Impressionism. Francisco’s studio in the Blanchard Bldg and his home were a mecca for both painters and musicians until his death on Jan. Member: American Artists Club (Munich); Calif. Art Club; Laguna Beach AA; Painters & Sculptors of LA; Athletic Club (LA); LA AA. In: UCLA; LACMA; Orange County (CA) Museum. Who’s Who in the Pacific Southwest. Who’s Who in California. 1929; Los Angeles Times, 8-3-1930. Artists of the American West. Dictionary of American Painters, Sculptors & Engravers. Born in Cincinnati, Ohio, he became a California painter of impressionist mountain and desert landscapes with dramatic lighting effects. He was one of the earliest landscape painters to live in Los Angeles. He studied art and music at Ohio State University and also went to Europe, painting with Fechner in Berlin and Nauen in Munich. In Paris, he studied at the Julian and Colarossi Academies, and his teachers were William Adolphe Bouguereau, Tony Robert-Fleury, and Gustave Courtois. He also painted in Switzerland, Germany, and France, and took violin lessons in Berlin and Paris. In 1887, he settled in Los Angeles where he married and spent the remainder of his life, combining careers of fine art painting and music. His home and studio at 1401 Albany Street became a popular gathering place for artists and musicians. In 1897, he helped form the Los Angeles Symphony Orchestra and was its first concert master. He painted mountain and tree landscapes and glowing desert scenes, often painting with landscapist Elmer Wachtel. He was first in northern Arizona in 1906 as a guest of the Santa Fe Railroad, and one of his Grand Canyon views was used for a travel ad. Biography from William A. Bond Francisco was born in Cincinnati, Ohio, in 1863, where he studied music and fine art. Further studies in Berlin, Munich, and Paris followed his move to Los Angeles in the 1880’s. Bond would pursue careers in art and music. He was instrumental in founding the Los Angeles Symphony Orchestra, serving as its first conductor. Painting in a Barbizon palette, Francisco also taught from his studio, and on painting excursions. Among his students was Elmer Wachtel. John Bond Francisco died in Los Angeles in 1931. John Bond Francisco (December 14, 1863 – January 8, 1931) was an American painter and violinist. He exhibited his paintings in Los Angeles , California. As early as 1892 and he co-founded the Los Angeles Symphony Orchestra in 1897. Francisco was born on December 14, 1863, in Cincinnati, Ohio. His father, Andrew Wiggins Francisco, was the editor of the Ohio State Journal. Francisco graduated from Ohio State University. And he also studied in Paris, Munich and Berlin. Francisco began his career as a music teacher in Los Angeles, California in 1887. He exhibited his paintings in Los Angeles as early as 1892. Francisco was a member of the Southern California Art Club and the Laguna Beach Art Club, and he founded the Society of Fine Arts of Southern California in 1895. Two years later, in 1897, he co-founded the Los Angeles Symphony Orchestra with Harley Hamilton. And he was its first concert master. Francisco resided at 1401 Albany Street in Los Angeles with his wife, née Nanette Louise Gottschalk. They had a son, Jack Bond Francisco Jr. And a daughter, Mrs Herbert McGaffey. Francisco died at home on January 8, 1931, at age 68, and he was buried in the Rosedale Cemetery. According to Peter J. Holliday, Francisco was responsible for conferring respectability on the artist’s calling in Los Angeles. California’s State Librarian, Francisco showed “that life could be lived for art in Los Angeles and Southern California with panache and financial success, ” and he dazzled contemporary Los Angelenos and filled them with pride that Culture was at last coming to the Southland. In 1992, his grandson donated his papers to the Smithsonian Institution. S Archives of American Art. His work can be seen at the Smithsonian American Art Museum. Born in Cincinnati, Ohio, John Bond Francisco was a serious student of the violin and painting, both of which he studied in Munich. He also studied painting at the Académie Julian under William Bouguereau, Gustave Courtois, and Robert-Fleury, and at the Académie Colarossi under Thomas Couture and Jean-André Rixens. The disciplines he developed during this important period of his young career helped his become one of California’s most important artists. After completing his European studies, Francisco traveled to California in 1887 and settled in Los Angeles. He became a prominent cultural figure there; he performed as a violinist, painted, taught, and entertained in his lavish home and studio, which he built at 1401 Albany Street. Francisco was a founding member of the Los Angeles Symphony Orchestra in 1897 and served as its first concertmaster. Francisco’s first exhibition in Los Angeles in 1892 was almost exclusively figural studies reminiscent of the work he produced during his time at the Académie Julian. In 1899 he opened his own art school, and while he continued painting figural subjects, he also began to explore the California landscape. His early landscapes were influenced by the French Barbizon school, but he soon took up a lighter impressionist palette. In 1906, the Santa Fe Railroad recognized his talents as a landscape painter and commissioned Francisco to paint a series of scenes of the Grand Canyon to be used to promote the region and the railroad. Bond Francisco was a member of many California art organizations and he served on the Chicago World’s Fair jury in 1893. His home became a social, artistic, and theatrical destination for many in the Los Angeles area. Many notable musicians, artists, and actors were entertained in the spacious and inviting Francisco home and studio. Celebrities like Sarah Bernhardt, Victor Herbert, and Lillian Russell were frequent guests at the grand parties hosted by the artist and his wife. John Bond Francisco Biography. John Bond Francisco was an American painter associated with the early California school of Impressionism. Born in Cincinnati, Ohio in 1863, he became recognized as an accomplished California painter, his Impressionist mountain and desert landscapes featured the dramatic lighting effects influenced by his early training in the Barbizon School in France. As one of the earliest landscape painters to live in Los Angeles, his paintings were highly sought after by collectors. Francisco traveled and painted California’s and the southwest’s varied landscapes, often he was seen painting with fellow landscapist Elmer Wachtel. He passed away in Los Angeles in 1931. Bond Francisco (1863 – 1931) built a home in Los Angeles for his bride, the singer Nanette Louise. Their house became the scene of many elegant evenings with music and dancing, and Francisco once said that “the best things in life are the friends it brings to you” Millier, J. Bond Francisco Honored as Last Paintings Shown. He was as much a musician as an artist, helping establish the Los Angeles Symphony Orchestra in 1897 and serving as its first concert master. Francisco founded a private academy of art and focused initially on portraits and figure studies, but he is better known for his later images of sun-washed California landscapes.
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
JEFF_PRICE_Unique_Mixed_Media_Painting_NEWSPACE_GALLERY_Los_Angeles_LACMA_01_izvs

JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA

JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA
JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA
JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA
JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA
JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA
JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA
JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA

JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA
Artist: JEFF PRICE (American, 20th Century). Title: Untitled – 1987. Medium: Unique Mixed Media Painting in watercolor wash and hand-color stone lithograph. Signature: Hand Signed by the Artist in pencil. Edition: Unique Artist Proof. Size: 24 1/2 x 19 1/2 inches (paper). Provenance: Newspace Gallery – Los Angeles. Jeff Price investigates archetypes and fertility symbols in his art. Widely collected, his works can be found in many major collections including the Los Angeles County Museum of Art and The Albuquerque Museum. He’s had numerous solo exhibitions in New York and Los Angeles and has lectured at the Art Center College of Design, Pasadena. Further, he was the recipient of grants from the Paula Krasner Foundation and the Edward Albee Foundation for the Arts.
JEFF PRICE Unique Mixed Media Painting NEWSPACE GALLERY Los Angeles LACMA
1950s_Landscape_La_Puente_Valley_Los_Angeles_California_Painting_Plein_Air_01_wd

1950s Landscape La Puente Valley Los Angeles California Painting Plein Air

1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air

1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
Hi, making room for new inventory. Original 1950s vintage painting on canvas board, oil or acrylic, some texture and layering to paint, signed Benny Acosta (dated 1958). Lovely original 1950s artwork from La Puente, California, a small town 20 miles east of downtown Los Angeles. The artist’s name and location are written on the back of the board. The painting has a quiet dirt country road beside foothills and fields, a pale blue sky overhead. There is a grove of dense trees on the right side behind a small red house. Wildflowers dot the green landscape. The hills are shades of blue and purple. Cameo canvas board measures 17 7/8″ Width x 13 7/8″ Height. Note: Overall good condition for age with some wear, spots and markings. You have feedback or communication issues. Our store policies and contact info are on front page of our store. Thanks so much for your interest.
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s_Landscape_La_Puente_Valley_Los_Angeles_California_Painting_Plein_Air_01_qmf

1950s Landscape La Puente Valley Los Angeles California Painting Plein Air

1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air

1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
Hi, making room for new inventory. Original 1950s vintage painting on canvas board, oil or acrylic, some texture and layering to paint, signed Benny Acosta (dated 1958). Lovely original 1950s artwork from La Puente, California, a small town 20 miles east of downtown Los Angeles. The artist’s name and location are written on the back of the board. The painting has a quiet dirt country road beside foothills and fields, a pale blue sky overhead. There is a grove of dense trees on the right side behind a small red house. Wildflowers dot the green landscape. The hills are shades of blue and purple. Cameo canvas board measures 17 7/8″ Width x 13 7/8″ Height. Note: Overall good condition for age with some wear, spots and markings. You have feedback or communication issues. Our store policies and contact info are on front page of our store. Thanks so much for your interest.
1950s Landscape La Puente Valley Los Angeles California Painting Plein Air
Ferdinand_Kaufmann_Ship_Docked_in_the_Los_Angeles_Harbor_Oil_painting_c_1939_01_tjd

Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939

Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939

Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Ferdinand Kaufmann -Boat docked in the San Pedro Harbor-Oil painting-c1920s. Oil painting on canvas board – signed. Frame size 18 1/2 x 16. Board size 13″ x 15 1/2″. Ferdinand Kaufmann was active/lived in California, Pennsylvania / Germany. A landscape and marine painter, Ferdinand Kaufmann was born in Germany and studied in Paris with Jean Paul Laurens and Benjamin Constant. Prior to settling in Southern California in 1921, he lived in Pittsburgh where he was a member of the Pittsburgh Art Association. In 1934, he became a resident of Pasadena and exhibited with the Pasadena Art Institute, and in 1939 of Laguna Beach where he was active in the Art Association. He died in 1942 in Los Angeles County. A beautiful piece that will add to your décor!
Ferdinand Kaufmann, Ship Docked in the Los Angeles Harbor Oil painting c. 1939
Antique_Old_Social_Realism_Twins_Portrait_Oil_Painting_Los_Angeles_1931_01_ejoo

Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931

Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931

Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
This is a charming and very well done Antique Old Social Realism Twins Portrait Oil Painting on artist board, by early Los Angeles, California painter, Walter R. This work depicts two small children, a boy and a girl, who appear to be twins. They are sitting at the edge of a window, where the skyline of old Los Angeles can be seen. The subjects are painted with a mastery for near photorealism that is seldom seen by artists today. Signed and dated in the lower left corner: Walter R. ” Additionally, this piece is annotated on the top edge of the verso: “John Wallace & Joan [illegible] Richards. Approximately 20 1/4 x 22 3/4 inches including frame. Actual artwork is approximately 17 x 19 1/2 inches. Very good condition for nearly a century of age, with some light scuffing and edge wear to the original period gilded frame. There are also some spots of faint scuffing, and light craquelure to the painted surface please see photos. Acquired in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks!
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Fine_Antique_California_Impressionist_Nautical_Boats_Oil_Painting_HYDE_1930s_01_tc

Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s

Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s

Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
This is a lovely and Fine Antique California Impressionist Nautical Boats Oil Painting on canvas, by the talented early 20th century California Impressionist painter, Josephine E. Herron Hyde 1885 – 1965. This artwork depicts a vibrant and jewel-toned harbor scene on Terminal Island, in Long Beach, California. Small white boats are shown idling in the calm turquoise hued waters, while the scaffolding of a wooden dock can be seen in the background. This piece likely dates to the 1930’s – 1940’s. HYDE” in small print in the lower left corner and also signed: “Josephine Hyde in the lower right corner. Additionally, an old, yellowed exhibition label on the verso reads: Mrs. Fishing Boats (Terminal Island)… This small gem is approximately 10 5/8 x 12 3/4 inches including frame. Actual artwork is approximately 15 x 18 inches. Very good condition for age, with some light chipping, wood splitting, and scuffing to the vintage frame please see photos. Acquired from an old collection in Los Angeles, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1885 – Columbus, Ohio. 1965 – Los Angeles, California. Known for : Painting, crafts, teaching. Herron Hyde (1885 – 1965) was active/lived in California, Ohio. Josephine Hyde is known for Painting, crafts, teaching. Herron Hyde ws born in Columbus, OH on Aug. Hyde studied at Stanford University, and with Nell Walker Warner, Edward Withers, and Will Foster. She was an art teacher in Los Angeles and Long Beach high schools from 1923 until her death in the latter on April 1, 1965. She was the wife of artist Otis Hyde. Art Club; Women Painters of the West; Long Beach AA; Painters of the SW; La Jolla AA. Exh: Pacific-SW Expo (prize); Greek Theater (LA); Ebell Club (LA); LACMA; Pomona Fair; Bowers Museum (Santa Ana). Edan Hughes, author of the book. Who’s Who in American Art 1953-62.
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
SOEY_MILK_White_Anthurium_8_x_10_original_oil_painting_Museum_exhibited_01_dl

SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited

SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited

SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
SOEY MILK “White Anthurium” 8 x 10 inch original oil painting [Museum exhibited]. Painting size: 8 inches by 10 inches. Frame size: 10 inches by 12 inches, with a depth of 1.5 inches. “White Anthurium” by Soey Milk was showcased in the “Risqué {dirty little pictures}” exhibit at the Long Beach Museum of Art in Los Angeles County in September, 2013. The “Risqué” exhibit was curated by Nathan Spoor and Jeff McMillan. The works from the show were displayed on the rich red walls of the museum’s second-floor Kilsby Gallery. All paintings by 40 artists were identical in size: 8 x 10? . The artists included in the museum exhibit were Audrey Kawasaki, David Choe, Ron English, Gretchen Ryan, Eric White, Glenn Barr, Charlie Immer, Esao Andrews, Aron Wiesenfeld, and more. Participants were encouraged to take risks with these works outside of their comfort zones leading to some titillating imagery. Korean artist Soey Milk has captivated the art world with her enchanting illustrations of feminine energy, from meticulously rendered graphite drawings to fantastical oil paintings aflutter with pattern, color and texture. Born in Seoul, Korea in 1989 and currently residing in California, the young artist has amassed a vast following for her work with its mysterious edge and highly refined artistry. Milk has created a compelling new body of figurative paintings and drawings. This painting is really stunning and impactful when seen up close. It’s near impossible to capture the detail in a digital photograph, especially the metallic effect of the incorporated silver leaf. The painting is likely of interest to fans of Lisa Yuskavage, John Currin, David Choe, Audrey Kawasaki, Esao Andrews, James Jean, Mark Ryden, Damien Hirst, Jake and Dinos Chapman, Banksy, Blu, and more. Among the pictures I’ve uploaded here are 1. Completed painting in the studio, 2. On exhibit at the museum, 3. A few closeups taken on January 14th, 2024. Here is a write up from the local newspaper. Long Beach Museum of Art goes’Risqué’ for new exhibit (2013, September 18). Retrieved from Press Telegram. When he first saw one of the original paintings for a new show at the Long Beach Museum of Art, artist and exhibit co-curator Jeff McMillan knew the show would easily live up to its name. Scott Hess was an 8-by-10-inch oil on canvas called Preserving the Natural Order. The piece depicts a female rhinoceros with a pretty bright bow on her tail engaged in a sexual act with a woman in what appears to be a Roman-era arena as a crowd of animals look on. The small painting will probably not appeal to everyone. It will likely shock some people, maybe even offend a few, and it’s definitely a risky piece of art; which is why it fits in well with the museum’s new exhibit titled Risqué {dirty little pictures}. It recently opened at the 2300 E. Venue and runs through Nov. “We want people to question what’s risqué to them, ” said McMillan, a Long Beach resident, on a recent Monday afternoon at the museum a few days before the Sept. The show may challenge you a little bit. I think it’s a very interesting fun show. The exhibit will be displayed on the rich red walls in the museum’s second-floor Kilsby Gallery and will include forty 8-by-10-inch original paintings from 40 different artists including illustrators and fine art painters such as acclaimed painter Gretchen Ryan; Detroit pop surrealist artist Glenn Barr; Soey Milk, an emerging artist known for her erotic surrealist work; and Nathan Spoor, a Burbank-based artist who focuses on surreal paintings. Spoor is also the exhibit co-curator along with McMillan. I expect it to be a dynamic reaction. Some people will enjoy it and some people you hope will be shocked. You want that spectrum. I think this is a show that will cover the polarity of reactions, Spoor said. The collection is intended to offer a look at modern eroticism through the work of artists who were given free range to define what risqué meant to them and to think about what makes something dirty or naughty, said Ron Nelson, executive director of the museum and exhibit creator. “It’s a gutsy move for these artists to be able to put out some of these images, and I think it’s our role as a museum to pique interest, to create conversations and to also be a little bit gutsy, certainly, ” he said. But the exhibit is not for everyone. Nelson said “Risqué” is “rated R” and is open only to adults. There will be museum personnel on hand making sure no minors go into the exhibit, he said. The idea for the show was sparked by Nelson’s visit to the homes of some of his artist friends. He said he always noticed they had small drawings in their homes that they never intended to show in a public setting. Nelson liked the idea of a show with smaller paintings, but he didn’t just want nice doodles, he also wanted to challenge the artists. Each one had to think about what risqué means to them and I’m proud of all of them. I think their work is quite stunning, Nelson said. The painting by Hess is one of the most graphic pieces in the exhibit; others cover the gamut from playful to more subtle erotic images such as Ryan’s piece called David and Amanda. The oil on canvas depicts an attractive blond woman in a revealing dress with bright red lipstick and her mouth slightly open. She’s leaning into a dark shadowy image of a man wearing sunglasses. His left hand is caressing her buttocks. Milk’s painting, which she named “White Anthurium, ” is a little less subtle in its interpretation of risqué. It shows a topless woman wearing a black leather head covering. Her thumb is touching her lower lip as a white substance drips from her mouth. It’s very suggestive without being pornographic, Nelson said. There are also more playful images such as painter Charlie Immer’s Ice Cream Blown. The painting shows one ice cream cone licking another. “What makes me smile about it is how individual artists took their own styles and how they created something that is embodying risqué, ” Nelson said. Some of the artists, I think, took a big chance on that. I think others are more sensual than erotic, but it was the artists line to walk and I respect that completely.
SOEY MILK White Anthurium 8 x 10 original oil painting Museum exhibited
RARE_Prison_SERIAL_KILLER_Outsider_Art_Painting_Letter_Lot_Hadden_Clark_01_pwme

RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark

RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark

RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
This is a seldomly seen and RARE Vintage Prison SERIAL KILLER Outsider Art Painting & Letter Lot, by convicted serial killer, Hadden Clark b. This piece depicts several artworks, including a creepy and finely rendered Valentine letter to the correspondent, featuring Cupids with erect phalluses, two graphite drawings of WNBA basketball players, and a latter artwork on the verso of a letter, featuring two angels embracing. These artworks and letters were acquired from an old filing cabinet in an abandoned storage unit from Los Angeles County, California, with letters that were addressed to Ken Karnig, Joe Hiles, Shane Bugbee, and Sondra London Feel free to look these people up yourself. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! I do not condone the acts of the artis t, but as a degreed Art Historian, I will allow these pieces to be available to the public, who can ultimately decide their relevancy and importance. Hadden Irving Clark (born July 31, 1952). Currently serving two 30-year sentences at. In Westover, Maryland for the murders of 6-year-old Michele Lee Dorr in 1986, and 23-year-old Laura Houghteling in 1992. He was also given a 10-year sentence for robbery after stealing from a former landlord. Clark is the second of four children, and was born and raised in Troy, New York. His brother, Bradfield Clark, strangled a woman in California before eating several body parts. Clark’s parents were both alcoholics and often fought with each other in front of their children. Clark’s mother dressed him in girls’ clothes when drunk and called him “Kristen”. His father eventually committed suicide. As a teenager, Clark tortured and killed animals owned by children who bullied him. Clark trained as a chef and served in the United States Navy until he was discharged after being diagnosed with paranoid schizophrenia. Over the years, he held a number of menial jobs but was mostly homeless. Clark was arrested multiple times for theft and retaliation. He was arrested for robbery after he vandalized a former landlord’s property and committed several thefts. On May 31, 1986, Clark was ordered by his brother to move out of the latter’s home in Silver Spring. Michele Dorr, a six-year-old friend of his niece, came over looking for her. Clark took Michele to an upstairs room and slashed her throat with a chef knife. Clark then attempted to sexually assault her corpse, drank some of her blood, ate a piece of her flesh, and stuffed her in a duffel bag. He buried her in a park 12 miles away. On October 18, 1992, he killed 23-year-old Laura Houghteling in Bethesda. Clark was working as a gardener for Laura’s mother Penny when she accused Clark of stealing tools from her backyard shed. Clark entered the house through the back door and stabbed Laura to death in her bedroom with a kitchen knife and suffocated her with a pillow. He carried her body in a bedsheet through a wooded area and buried her a half-mile away. He left behind a pillow with his fingerprint as he moved the body. Police soon discovered the bloody pillow and linked the print on it to Clark. Clark confessed and led police to Laura’s body eight months after the murder. Police began looking at him for Dorr’s murder after discovering he lived two houses down from Dorr’s father at the time she disappeared. Police later tested his brother’s old house for blood and found Dorr’s blood in the wooden floorboards of an upstairs bedroom. Clark later led police to her body in January 2000. Clark has confessed to murdering dozens of people starting as a teenager. In 2004, he sent a letter claiming he had killed a then-unidentified woman in Cape Cod. In 1974 known as Lady of the Dunes. Clark explained that he had buried evidence from the crime in his grandfather’s garden and that he knew the woman’s identity but was not going to tell authorities because he claimed they mistreated him. As he has paranoid schizophrenia. Police doubt the accuracy of the confession. The decedent was identified in 2022 as Ruth Marie Terry, who was married at the time of her death to Guy Rockwall Muldavin, who is considered a person of interest in Terry’s death as well as multiple others. Clark led police on December 15, 2000, to his grandparents’ former property where they discovered a plastic bucket with more than 200 pieces of jewelry. Among the items were Laura Houghteling’s high school class ring. He claimed the items were “trophies” he took from his victims. Author Adrian Havill’s. Book Born Evil: A True Story of Cannibalism and Sexual Murder (2001) is a true crime story of Hadden Clark’s crimes. Author Robert Keller’s book True Crime: American Monsters Volume 3: 12 Horrific American Serial Killers (2013) one of the 12 murderers reported on in the book is Hadden Clark. The author focuses on Clark’s cross-dressing cannibalism and his stash of mementos suggesting there are more victims. The Channel 5 (UK). Series Born to Kill. Episode aired: 17 September 2013, reports on Clark’s formative years and their impact on his adult criminal behavior. Network series Evil, I season 5 episode 32, “Dressed to Kill”, aired August 3, 2012, reports on Houghteling’s disappearance and law enforcement suspects the family gardener Clark is responsible. When police search his storage shed they discover evidence tying him to her death. Released multiple crime-documentary episodes from different shows covering the Hadden Clark crimes. Season 7, Episode 25: “Dressed to Kill”, aired March 29, 2003, covers Michele Lee Dorr’s case. Her dad is mentally traumatized by his daughter’s passing and provides detectives with a false confession. However further investigation uncovers evidence leading to the real killer. The series Mugshots episode “Portrait of a Serial Killer: Hadden Clark”, aired June 1, 2002. The true crime and on-the-scene police investigation series Crime Stories episode “Dark Secrets: Hadden Clark”, aired: 2002. The series The Investigators episode “Dark Secrets”, aired: 9 September 2002. Forensic Files – Season 3, Episode 9: “Beaten by a Hair”, aired: November 26, 1998, covers Laura Houghteling’s disappearance. Police find the victim’s hairbrush with 30 hairs, one of which was artificial and did not belong to Laura. The artificial hair, along with other forensic evidence, directly tied Clark to her death. Two-part series on The Last Podcast on the Left. Episodes “Hadden Clark Part I- Mommy’s Basement Bakery” and “Hadden Clark Part II- Women’s Panties”, aired: November 2019.
RARE Prison SERIAL KILLER Outsider Art Painting Letter Lot, Hadden Clark
Local_San_Pedro_Painting_Paseo_Del_Mar_Circa_1990s_Scott_Brown_Angel_s_Gate_01_pq

Local San Pedro Painting Paseo Del Mar Circa 1990s Scott Brown Angel’s Gate

Local San Pedro Painting Paseo Del Mar Circa 1990s Scott Brown Angel's Gate
Local San Pedro Painting Paseo Del Mar Circa 1990s Scott Brown Angel's Gate
Local San Pedro Painting Paseo Del Mar Circa 1990s Scott Brown Angel's Gate
Local San Pedro Painting Paseo Del Mar Circa 1990s Scott Brown Angel's Gate
Local San Pedro Painting Paseo Del Mar Circa 1990s Scott Brown Angel's Gate

Local San Pedro Painting Paseo Del Mar Circa 1990s Scott Brown Angel's Gate
Offered here is a 14.5″ x 9″ oil painting of Paseo Del Mar from circa 1990s. This painting is interested because it is from a vantage point of where the cliff fell in many years ago, and it depicts the road and houses as they appeared before the road fell in. A small detail in the background is the cliff of Pt Fermin. Unsigned but likely done by local San Pedro artist Scott Brown as this painting is from his studio at Angel’s Gate. Painted on sturdy artist’s board.
Local San Pedro Painting Paseo Del Mar Circa 1990s Scott Brown Angel's Gate