1898_Early_Mount_Wilson_Hotel_California_Los_Angeles_Co_Antique_Photo_Sign_01_xfhl

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
Approximate size: 4.25 inches x 3.25 inches. In my research, I couldn’t find any other photos of a pre-1905 Mount Wilson Hotel photo, so it’s possible that this is the only one left. Certainly the only one on the open market currently. I was not able to find any others on the open market going back a number of years. On the advertisement sign on the side of the hotel, it reads. The riders obscure the rest of the words. The person pictured on the left is named Bob, the brother of the original owner of this photo, and another person in the photo is named Marshall Dill, a friend of his. It’s theoretically plausible that it’s the same foundation or same spot. It’s also plausible that the 1905 hotel was the same building as the 1898 hotel, but expanded. The first reference photo (the first of the last two images in this listing) is of a postcard of the middling hotel in 1909. Although the three hotels possibly aren’t the same building (certainly not the second and third, because the second burned down), it’s helpful to know the history of the hotel(s) in the area. The middling-timeframe hotel was constructed around 1905 to accommodate visitors to Mount Wilson. It stood as a one-story building with additional cottages for overnight guests. Unfortunately, this first hotel met a fiery fate in 1913 when it burned down. Following the fire, a third Mount Wilson Hotel was erected in 1915. This hotel became a landmark, gracing the mountain for fifty years until its demolition in 1966. The Mount Wilson Hotel Company owned an impressive 1050 acres of land surrounding Mount Wilson, extending approximately one mile in each direction from the hotel. Visitors could explore the nearby observatory and indulge in recreational activities like hiking, sledding, and skiing. Wildlife, including deer, birds, and squirrels, added to the natural allure of the area. Mount Wilson is renowned for housing the historic Mount Wilson Observatory. Notably, a 60-inch telescope was completed at the summit in 1908, and a 150-foot Solar Tower graced the landscape in 1910. The observatory played a pivotal role in astronomical research and observation in Southern California. The mountain bears the name of Benjamin D. Wilson, originally hailing from Tennessee, made his way to California in 1841. In 1864, he blazed the first modern trail to the summit of Mount Wilson in the San Gabriel Mountains, a trail still known as the Mount Wilson Trail. Regarding the history of Mount Wilson overall. In 1889, Professor William Pickering of Harvard University, along with telescope-maker Alvan Clark, prepared an experiment with 4-and-13-inch (102 and 330 mm) telescopes at Mount Wilson. University students would operate the telescopes for nighttime viewing, but more often than not they would log in “bad weather, no visibility” and head to town to relieve their boredom. The small observatory was abandoned with plans to build a larger one at a later date. In 1891, Thaddeus S. Lowe incorporated the Pasadena & Mount Wilson Railroad with the plan of building a scenic mountain railroad to the summit of Mt. At the same time, land and easement disputes between camp owners Steils and Strain were going on over the public and private use of the Mount Wilson Trail. The courts ruled that the trail was a public thoroughfare and that any blockading would be illegal. At the foot of the mountain, a local contractor Thomas Banbury built a 10 mi roadway to be named “The New Mount Wilson Trail, ” now the Mount Wilson Toll Road. Walter Raymond, of Raymond & Whitcomb Travel Agency, Boston, and owner of the Raymond Hotel, Pasadena, offered to pay for rail from New York. Lowe offered to take the lenses up via his yet-to-be-built Mt. The lenses ended up at Yerkes Observatory in Wisconsin, and Lowe’s railway ended up going to Oak Mountain (Mount Lowe). By 1901, The Mount Wilson Toll Road Co. In 1903, George Ellery Hale visited Mt. Wilson and was impressed by the perfect conditions for which to set up the observatory, which would become the Mount Wilson Solar Observatory in 1904. In 1926, Albert Abraham Michelson made what was then the most precise calculation of the speed of light at the time by measuring the round-trip travel time of light between Mount Wilson and Mount San Antonio 22 miles away. Please inspect the pictures, as they give the best representation of condition. There are creased corners, wear, and light discoloration to the photo, relatively normal for its age.
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
Antique_1905_VERY_RARE_Railways_Travel_GuideSUBURBAN_TRIPSLos_Angeles_01_ul

Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles

Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles

Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
This was before there many roads and when Los Angeles was a much smaller town. People would like to get away for awhile; the rail system provided such relief and this guidebook gives 8 different trips one could take. Included are lots of text descriptions, photos, drawings and wonderful ads. Sadly, someone must have liked a few of the photos too much and decided to ad them to their scrap book (one photo shows that each were at least neatly sniped). A must have for collectors of early turn of the century transportation, Los Angeles County or travel ephemera in general. Antique 1905 VERY RARE Railways Travel Guide”SUBURBAN TRIPS”Los Angeles.
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
1898_Early_Mount_Wilson_Hotel_California_Los_Angeles_Co_Antique_Photo_Sign_01_ma

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
Approximate size: 4.25 inches x 3.25 inches. In my research, I couldn’t find any other photos of a pre-1905 Mount Wilson Hotel photo, so it’s possible that this is the only one left. Certainly the only one on the open market currently. I was not able to find any others on the open market going back a number of years. On the advertisement sign on the side of the hotel, it reads. The riders obscure the rest of the words. The person pictured on the left is named Bob, the brother of the original owner of this photo, and another person in the photo is named Marshall Dill, a friend of his. It’s theoretically plausible that it’s the same foundation or same spot. It’s also plausible that the 1905 hotel was the same building as the 1898 hotel, but expanded. The first reference photo (the first of the last two images in this listing) is of a postcard of the middling hotel in 1909. Although the three hotels possibly aren’t the same building (certainly not the second and third, because the second burned down), it’s helpful to know the history of the hotel(s) in the area. The middling-timeframe hotel was constructed around 1905 to accommodate visitors to Mount Wilson. It stood as a one-story building with additional cottages for overnight guests. Unfortunately, this first hotel met a fiery fate in 1913 when it burned down. Following the fire, a third Mount Wilson Hotel was erected in 1915. This hotel became a landmark, gracing the mountain for fifty years until its demolition in 1966. The Mount Wilson Hotel Company owned an impressive 1050 acres of land surrounding Mount Wilson, extending approximately one mile in each direction from the hotel. Visitors could explore the nearby observatory and indulge in recreational activities like hiking, sledding, and skiing. Wildlife, including deer, birds, and squirrels, added to the natural allure of the area. Mount Wilson is renowned for housing the historic Mount Wilson Observatory. Notably, a 60-inch telescope was completed at the summit in 1908, and a 150-foot Solar Tower graced the landscape in 1910. The observatory played a pivotal role in astronomical research and observation in Southern California. The mountain bears the name of Benjamin D. Wilson, originally hailing from Tennessee, made his way to California in 1841. In 1864, he blazed the first modern trail to the summit of Mount Wilson in the San Gabriel Mountains, a trail still known as the Mount Wilson Trail. Regarding the history of Mount Wilson overall. In 1889, Professor William Pickering of Harvard University, along with telescope-maker Alvan Clark, prepared an experiment with 4-and-13-inch (102 and 330 mm) telescopes at Mount Wilson. University students would operate the telescopes for nighttime viewing, but more often than not they would log in “bad weather, no visibility” and head to town to relieve their boredom. The small observatory was abandoned with plans to build a larger one at a later date. In 1891, Thaddeus S. Lowe incorporated the Pasadena & Mount Wilson Railroad with the plan of building a scenic mountain railroad to the summit of Mt. At the same time, land and easement disputes between camp owners Steils and Strain were going on over the public and private use of the Mount Wilson Trail. The courts ruled that the trail was a public thoroughfare and that any blockading would be illegal. At the foot of the mountain, a local contractor Thomas Banbury built a 10 mi roadway to be named “The New Mount Wilson Trail, ” now the Mount Wilson Toll Road. Walter Raymond, of Raymond & Whitcomb Travel Agency, Boston, and owner of the Raymond Hotel, Pasadena, offered to pay for rail from New York. Lowe offered to take the lenses up via his yet-to-be-built Mt. The lenses ended up at Yerkes Observatory in Wisconsin, and Lowe’s railway ended up going to Oak Mountain (Mount Lowe). By 1901, The Mount Wilson Toll Road Co. In 1903, George Ellery Hale visited Mt. Wilson and was impressed by the perfect conditions for which to set up the observatory, which would become the Mount Wilson Solar Observatory in 1904. In 1926, Albert Abraham Michelson made what was then the most precise calculation of the speed of light at the time by measuring the round-trip travel time of light between Mount Wilson and Mount San Antonio 22 miles away. Please inspect the pictures, as they give the best representation of condition. There are creased corners, wear, and light discoloration to the photo, relatively normal for its age.
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898_Early_Mount_Wilson_Hotel_California_Los_Angeles_Co_Antique_Photo_Sign_01_hi

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign

1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
Approximate size: 4.25 inches x 3.25 inches. In my research, I couldn’t find any other photos of a pre-1905 Mount Wilson Hotel photo, so it’s possible that this is the only one left. Certainly the only one on the open market currently. I was not able to find any others on the open market going back a number of years. On the advertisement sign on the side of the hotel, it reads. The riders obscure the rest of the words. The person pictured on the left is named Bob, the brother of the original owner of this photo, and another person in the photo is named Marshall Dill, a friend of his. It’s theoretically plausible that it’s the same foundation or same spot. It’s also plausible that the 1905 hotel was the same building as the 1898 hotel, but expanded. The first reference photo (the first of the last two images in this listing) is of a postcard of the middling hotel in 1909. Although the three hotels possibly aren’t the same building (certainly not the second and third, because the second burned down), it’s helpful to know the history of the hotel(s) in the area. The middling-timeframe hotel was constructed around 1905 to accommodate visitors to Mount Wilson. It stood as a one-story building with additional cottages for overnight guests. Unfortunately, this first hotel met a fiery fate in 1913 when it burned down. Following the fire, a third Mount Wilson Hotel was erected in 1915. This hotel became a landmark, gracing the mountain for fifty years until its demolition in 1966. The Mount Wilson Hotel Company owned an impressive 1050 acres of land surrounding Mount Wilson, extending approximately one mile in each direction from the hotel. Visitors could explore the nearby observatory and indulge in recreational activities like hiking, sledding, and skiing. Wildlife, including deer, birds, and squirrels, added to the natural allure of the area. Mount Wilson is renowned for housing the historic Mount Wilson Observatory. Notably, a 60-inch telescope was completed at the summit in 1908, and a 150-foot Solar Tower graced the landscape in 1910. The observatory played a pivotal role in astronomical research and observation in Southern California. The mountain bears the name of Benjamin D. Wilson, originally hailing from Tennessee, made his way to California in 1841. In 1864, he blazed the first modern trail to the summit of Mount Wilson in the San Gabriel Mountains, a trail still known as the Mount Wilson Trail. Regarding the history of Mount Wilson overall. In 1889, Professor William Pickering of Harvard University, along with telescope-maker Alvan Clark, prepared an experiment with 4-and-13-inch (102 and 330 mm) telescopes at Mount Wilson. University students would operate the telescopes for nighttime viewing, but more often than not they would log in “bad weather, no visibility” and head to town to relieve their boredom. The small observatory was abandoned with plans to build a larger one at a later date. In 1891, Thaddeus S. Lowe incorporated the Pasadena & Mount Wilson Railroad with the plan of building a scenic mountain railroad to the summit of Mt. At the same time, land and easement disputes between camp owners Steils and Strain were going on over the public and private use of the Mount Wilson Trail. The courts ruled that the trail was a public thoroughfare and that any blockading would be illegal. At the foot of the mountain, a local contractor Thomas Banbury built a 10 mi roadway to be named “The New Mount Wilson Trail, ” now the Mount Wilson Toll Road. Walter Raymond, of Raymond & Whitcomb Travel Agency, Boston, and owner of the Raymond Hotel, Pasadena, offered to pay for rail from New York. Lowe offered to take the lenses up via his yet-to-be-built Mt. The lenses ended up at Yerkes Observatory in Wisconsin, and Lowe’s railway ended up going to Oak Mountain (Mount Lowe). By 1901, The Mount Wilson Toll Road Co. In 1903, George Ellery Hale visited Mt. Wilson and was impressed by the perfect conditions for which to set up the observatory, which would become the Mount Wilson Solar Observatory in 1904. In 1926, Albert Abraham Michelson made what was then the most precise calculation of the speed of light at the time by measuring the round-trip travel time of light between Mount Wilson and Mount San Antonio 22 miles away. Please inspect the pictures, as they give the best representation of condition. There are creased corners, wear, and light discoloration to the photo, relatively normal for its age.
1898 Early Mount Wilson Hotel California Los Angeles Co. Antique Photo Sign
Antique_Early_California_Tonalist_Impressionist_Landscape_Painting_FRANCISCO_01_tfaz

Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO

Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO

Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
This is an enchanting and wonderful Antique Early California Tonalist Impressionist Landscape Oil Painting on Artist Board, by the esteemed early California landscape painter, John Bond Francisco 1863 – 1931. The piece depicts a tranquil sunset scene at dusk, with the golden orange hues of the setting sun portrayed in striking contrast with the shadowy silhouettes of the trees and forest below. In the foreground, a placid body of water, possibly a small pond is visible. Bond Francisco in the lower right corner. This small gem is approximately 14 1/4 inches wide x 14 1/2 inches tall including frame. Actual artwork is approximately 7 1/4 x 7 1/2 inches. This painting likely dates to the late 1910’s – 1920’s. Good condition for age and storage, with mild – moderate scuffing, scratches and edge wear to the original antique period wooden frame please see photos. Acquired from an old collection in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1863 – Cincinnati, Ohio. 1931 – Los Angeles, California. Landscape, figure and portrait painting. John Bond Francisco (1863 – 1931) was active/lived in California, Ohio. John Francisco is known for Landscape, figure and portrait painting. John Bond Francisco was born in Cincinnati, OH on Dec. From an early age Francisco was drawn to both music and art. He studied the violin with Hermann Eckhardt and painting at the Cincinnati Art Academy for several years. He arrived in Los Angeles in 1887 and was so taken with the beauty of the place, he opted to make it his home. He soon continued his studies in Berlin, Munich, and in Paris at Académies Julian and Colarossi under Courtois, Bouguereau, and Robert-Fleury. While in Europe he studied the violin in the morning hours and painting in the afternoon. Upon returning to Los Angeles in 1892, he married and built a home at 1401 Albany Street where he lived for the rest of his life. Combining an art and music career, he helped form the Los Angeles Symphony Orchestra in 1897 and served as their first concert master. While teaching music and art at his studio, he made painting excursions into the surrounding countryside, often with his pupil Elmer Wachtel. He combined his Munich technique with that of the Barbizon’s influence to produce paintings of California deserts and mountains that held dramatic light and shade contrasts. Later his palette brightened, and he leaned more toward Impressionism. Francisco’s studio in the Blanchard Bldg and his home were a mecca for both painters and musicians until his death on Jan. Member: American Artists Club (Munich); Calif. Art Club; Laguna Beach AA; Painters & Sculptors of LA; Athletic Club (LA); LA AA. In: UCLA; LACMA; Orange County (CA) Museum. Who’s Who in the Pacific Southwest. Who’s Who in California. 1929; Los Angeles Times, 8-3-1930. Artists of the American West. Dictionary of American Painters, Sculptors & Engravers. Born in Cincinnati, Ohio, he became a California painter of impressionist mountain and desert landscapes with dramatic lighting effects. He was one of the earliest landscape painters to live in Los Angeles. He studied art and music at Ohio State University and also went to Europe, painting with Fechner in Berlin and Nauen in Munich. In Paris, he studied at the Julian and Colarossi Academies, and his teachers were William Adolphe Bouguereau, Tony Robert-Fleury, and Gustave Courtois. He also painted in Switzerland, Germany, and France, and took violin lessons in Berlin and Paris. In 1887, he settled in Los Angeles where he married and spent the remainder of his life, combining careers of fine art painting and music. His home and studio at 1401 Albany Street became a popular gathering place for artists and musicians. In 1897, he helped form the Los Angeles Symphony Orchestra and was its first concert master. He painted mountain and tree landscapes and glowing desert scenes, often painting with landscapist Elmer Wachtel. He was first in northern Arizona in 1906 as a guest of the Santa Fe Railroad, and one of his Grand Canyon views was used for a travel ad. Biography from William A. Bond Francisco was born in Cincinnati, Ohio, in 1863, where he studied music and fine art. Further studies in Berlin, Munich, and Paris followed his move to Los Angeles in the 1880’s. Bond would pursue careers in art and music. He was instrumental in founding the Los Angeles Symphony Orchestra, serving as its first conductor. Painting in a Barbizon palette, Francisco also taught from his studio, and on painting excursions. Among his students was Elmer Wachtel. John Bond Francisco died in Los Angeles in 1931. John Bond Francisco (December 14, 1863 – January 8, 1931) was an American painter and violinist. He exhibited his paintings in Los Angeles , California. As early as 1892 and he co-founded the Los Angeles Symphony Orchestra in 1897. Francisco was born on December 14, 1863, in Cincinnati, Ohio. His father, Andrew Wiggins Francisco, was the editor of the Ohio State Journal. Francisco graduated from Ohio State University. And he also studied in Paris, Munich and Berlin. Francisco began his career as a music teacher in Los Angeles, California in 1887. He exhibited his paintings in Los Angeles as early as 1892. Francisco was a member of the Southern California Art Club and the Laguna Beach Art Club, and he founded the Society of Fine Arts of Southern California in 1895. Two years later, in 1897, he co-founded the Los Angeles Symphony Orchestra with Harley Hamilton. And he was its first concert master. Francisco resided at 1401 Albany Street in Los Angeles with his wife, née Nanette Louise Gottschalk. They had a son, Jack Bond Francisco Jr. And a daughter, Mrs Herbert McGaffey. Francisco died at home on January 8, 1931, at age 68, and he was buried in the Rosedale Cemetery. According to Peter J. Holliday, Francisco was responsible for conferring respectability on the artist’s calling in Los Angeles. California’s State Librarian, Francisco showed “that life could be lived for art in Los Angeles and Southern California with panache and financial success, ” and he dazzled contemporary Los Angelenos and filled them with pride that Culture was at last coming to the Southland. In 1992, his grandson donated his papers to the Smithsonian Institution. S Archives of American Art. His work can be seen at the Smithsonian American Art Museum. Born in Cincinnati, Ohio, John Bond Francisco was a serious student of the violin and painting, both of which he studied in Munich. He also studied painting at the Académie Julian under William Bouguereau, Gustave Courtois, and Robert-Fleury, and at the Académie Colarossi under Thomas Couture and Jean-André Rixens. The disciplines he developed during this important period of his young career helped his become one of California’s most important artists. After completing his European studies, Francisco traveled to California in 1887 and settled in Los Angeles. He became a prominent cultural figure there; he performed as a violinist, painted, taught, and entertained in his lavish home and studio, which he built at 1401 Albany Street. Francisco was a founding member of the Los Angeles Symphony Orchestra in 1897 and served as its first concertmaster. Francisco’s first exhibition in Los Angeles in 1892 was almost exclusively figural studies reminiscent of the work he produced during his time at the Académie Julian. In 1899 he opened his own art school, and while he continued painting figural subjects, he also began to explore the California landscape. His early landscapes were influenced by the French Barbizon school, but he soon took up a lighter impressionist palette. In 1906, the Santa Fe Railroad recognized his talents as a landscape painter and commissioned Francisco to paint a series of scenes of the Grand Canyon to be used to promote the region and the railroad. Bond Francisco was a member of many California art organizations and he served on the Chicago World’s Fair jury in 1893. His home became a social, artistic, and theatrical destination for many in the Los Angeles area. Many notable musicians, artists, and actors were entertained in the spacious and inviting Francisco home and studio. Celebrities like Sarah Bernhardt, Victor Herbert, and Lillian Russell were frequent guests at the grand parties hosted by the artist and his wife. John Bond Francisco Biography. John Bond Francisco was an American painter associated with the early California school of Impressionism. Born in Cincinnati, Ohio in 1863, he became recognized as an accomplished California painter, his Impressionist mountain and desert landscapes featured the dramatic lighting effects influenced by his early training in the Barbizon School in France. As one of the earliest landscape painters to live in Los Angeles, his paintings were highly sought after by collectors. Francisco traveled and painted California’s and the southwest’s varied landscapes, often he was seen painting with fellow landscapist Elmer Wachtel. He passed away in Los Angeles in 1931. Bond Francisco (1863 – 1931) built a home in Los Angeles for his bride, the singer Nanette Louise. Their house became the scene of many elegant evenings with music and dancing, and Francisco once said that “the best things in life are the friends it brings to you” Millier, J. Bond Francisco Honored as Last Paintings Shown. He was as much a musician as an artist, helping establish the Los Angeles Symphony Orchestra in 1897 and serving as its first concert master. Francisco founded a private academy of art and focused initially on portraits and figure studies, but he is better known for his later images of sun-washed California landscapes.
Antique Early California Tonalist Impressionist Landscape Painting, FRANCISCO
Antique_Old_Social_Realism_Twins_Portrait_Oil_Painting_Los_Angeles_1931_01_ejoo

Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931

Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931

Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
This is a charming and very well done Antique Old Social Realism Twins Portrait Oil Painting on artist board, by early Los Angeles, California painter, Walter R. This work depicts two small children, a boy and a girl, who appear to be twins. They are sitting at the edge of a window, where the skyline of old Los Angeles can be seen. The subjects are painted with a mastery for near photorealism that is seldom seen by artists today. Signed and dated in the lower left corner: Walter R. ” Additionally, this piece is annotated on the top edge of the verso: “John Wallace & Joan [illegible] Richards. Approximately 20 1/4 x 22 3/4 inches including frame. Actual artwork is approximately 17 x 19 1/2 inches. Very good condition for nearly a century of age, with some light scuffing and edge wear to the original period gilded frame. There are also some spots of faint scuffing, and light craquelure to the painted surface please see photos. Acquired in Los Angeles County, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks!
Antique Old Social Realism Twins Portrait Oil Painting, Los Angeles 1931
Antique_1905_VERY_RARE_Railways_Travel_GuideSUBURBAN_TRIPSLos_Angeles_01_vsb

Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles

Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles

Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
This was before there many roads and when Los Angeles was a much smaller town. People would like to get away for awhile; the rail system provided such relief and this guidebook gives 8 different trips one could take. Included are lots of text descriptions, photos, drawings and wonderful ads. Sadly, someone must have liked a few of the photos too much and decided to ad them to their scrap book (one photo shows that each were at least neatly sniped). A must have for collectors of early turn of the century transportation, Los Angeles County or travel ephemera in general. Antique 1905 VERY RARE Railways Travel Guide”SUBURBAN TRIPS”Los Angeles.
Antique 1905 VERY RARE Railways Travel GuideSUBURBAN TRIPSLos Angeles
Fine_Antique_California_Impressionist_Nautical_Boats_Oil_Painting_HYDE_1930s_01_tc

Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s

Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s

Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
This is a lovely and Fine Antique California Impressionist Nautical Boats Oil Painting on canvas, by the talented early 20th century California Impressionist painter, Josephine E. Herron Hyde 1885 – 1965. This artwork depicts a vibrant and jewel-toned harbor scene on Terminal Island, in Long Beach, California. Small white boats are shown idling in the calm turquoise hued waters, while the scaffolding of a wooden dock can be seen in the background. This piece likely dates to the 1930’s – 1940’s. HYDE” in small print in the lower left corner and also signed: “Josephine Hyde in the lower right corner. Additionally, an old, yellowed exhibition label on the verso reads: Mrs. Fishing Boats (Terminal Island)… This small gem is approximately 10 5/8 x 12 3/4 inches including frame. Actual artwork is approximately 15 x 18 inches. Very good condition for age, with some light chipping, wood splitting, and scuffing to the vintage frame please see photos. Acquired from an old collection in Los Angeles, California. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! 1885 – Columbus, Ohio. 1965 – Los Angeles, California. Known for : Painting, crafts, teaching. Herron Hyde (1885 – 1965) was active/lived in California, Ohio. Josephine Hyde is known for Painting, crafts, teaching. Herron Hyde ws born in Columbus, OH on Aug. Hyde studied at Stanford University, and with Nell Walker Warner, Edward Withers, and Will Foster. She was an art teacher in Los Angeles and Long Beach high schools from 1923 until her death in the latter on April 1, 1965. She was the wife of artist Otis Hyde. Art Club; Women Painters of the West; Long Beach AA; Painters of the SW; La Jolla AA. Exh: Pacific-SW Expo (prize); Greek Theater (LA); Ebell Club (LA); LACMA; Pomona Fair; Bowers Museum (Santa Ana). Edan Hughes, author of the book. Who’s Who in American Art 1953-62.
Fine Antique California Impressionist Nautical Boats Oil Painting, HYDE 1930s
Antique_California_Fruit_Growers_Crate_End_01_vvq

Antique California Fruit Growers Crate End

Antique California Fruit Growers Crate End
Antique California Fruit Growers Crate End
Antique California Fruit Growers Crate End
Antique California Fruit Growers Crate End
Antique California Fruit Growers Crate End

Antique California Fruit Growers Crate End
Features stamped text on a wooden plank, in fairly good condition. 24″ W x 5″ H Please refer to photos regarding condition. However, we are not responsible for any damages, loss, or deductibles. In these cases, we will insure them to the full extent available, but will not be responsible for additional damages above the available insured amount. OTHER? Our items may contain rust, dust, grease, or grit. All of our pieces are reclaimed from industrial environments where they may have been exposed to years of use and weathering. As such, each piece has character. Industrial Artifacts cannot be held responsible for matters of taste regarding the character of a piece. Bulbs for light fixtures are not included unless specified.
Antique California Fruit Growers Crate End
RARE_Antique_American_WPA_Social_Realism_Print_Chinatown_1932_L_Allemand_01_nolk

RARE Antique American WPA Social Realism Print, Chinatown 1932 L’Allemand

RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand

RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand
This is a historically significant and Very RARE Antique American WPA Social Realism Woodcut Print on Rice Paper, by early Los Angeles, California journalist, photographer, writer, illustrator, and artist, Gordon Lynn L’Allemand “Allemand” 1903 – 1974. There are limited sources of information on this artist, but perhaps you know more about him or his work? This piece depicts the shadowy silhouette of a Chinese man with a flatcap, smoking a cigarette in an open doorway. Across the alley, several shady characters, and a small child stand in the entryway of a Los Angeles Chinatown Tong clubhouse. In American Chinatowns, Tongs were essentially secret societies or brotherhoods created by Chinese immigrants, which promoted and maintained order and settled community disputes among the minority Chinese population. During the 1930’s, they were often associated with crime, such as prostitution, bootlegging, and operating opium dens. This piece is titled in graphite: “Tong Lookout Chinatown, ” at the lower left edge, and signed: “Gordon L’Allemand” in graphite at the lower right edge. Additionally, there is an annotation in graphite underneath the signature which reads: To Warren from Gordon, Best Wishes. Approximately 13 x 17 inches including frame. Actual artwork is approximately 9 1/2 x 12 5/8 inches. Very good condition for nearly a century of age, and the fragile nature of the rice paper, with expected age-related toning, mild creasing at the edges, and some light discoloration please see photos carefully. Acquired from an old collection in Los Angeles, California. This is the first original artwork by L’Allemand to ever be offered for sale since the invention of the Internet. This early artistic representation of the Los Angeles historic Chinatown is Priced to Sell. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks! Gordon Lynn L’Allemand. 1903 – Bowling Green, Kentucky. 1974 – San Luis Obispo, California. Born in Bowling Green, KY on April 2, 1903. By the 1920s L’Allemand had settled in Los Angeles and was a pupil of J. He wrote articles for the Times and was the author-illustrator of several books including You Can Grow Dwarf Trees and Pageantry On The Mesa. His subjects include still lifes, figure studies, scenes of Los Angeles, and portraits. He died in San Luis Obispo, CA on Oct. Exh: Laguna Beach AA, 1930; LACMA, 1930 (solo), 1931 (prize); Calif. Art Club, 1930-31; Painters & Sculptors of LA, 1931-37; Bullocks (LA), 1932; Calif. State Fair, 1937; All Calif. Source: Nancy Dustin Moure, Publications in California Art No. Like other major Chinatowns across the country, Old Chinatown had long been represented as a world of underground passages and secret rooms. A 1930 Los Angeles Times article described the community in this way, Tong wars, murders, dope raids, hop-house scandals, white and yellow slavery, underground tunnels, secret trap doors; all have been here. Outside in the streets old men bask lazily in the sunshine and life is peaceful to the eye, but behind barred doors one feels that mystery is eternally seething. 71 In popular articles like these, Old Chinatown was depicted as being not just unseen but unseeable to the eyes of the city’s white population. The stories of underground tunnels reflected broader fears that many whites held of Chinatown and Chinese people somehow being invisible to police and government power. In this way, Old Chinatown was represented as existing outside the legal and juridical boundaries that defined so much of the rest of the city. Indeed one might argue that the idea of being seen or seeable to the broader white population correlated directly with popular perceptions of the perceived governability of the residents of the community. The notion that Chinatown was ridden with tunnels and secret passages reflected dominant fears that the neighborhood’s residents not only could not be seen by the state, the police, or by the white power structure but also that they could not be governed in the same way. Gordon L’Allemand, ” Old Chinatown, ” Los Angeles Times, October 5, 1930, K8.
RARE Antique American WPA Social Realism Print, Chinatown 1932 L'Allemand